Last year I sat down with two other geeky guests almost immediately after leaving the floor of Emerald City Comic Con for one of our very first podcast episodes. ECCC was probably the best con I attended last year and I have plans to go back. This week ReedPOP, who is known for putting on shows like NYCC, C2E2 and both PAX shows, announced that they had acquired ECCC. While I am a huge fan of NYCC, I, along with many people, was more than a little concerned by this news. ECCC has a reputation for being a special kind of show, huge but still comic and creator focused, unlike the circus that NYCC has become. Comics Alliance sat down with Lance Fensterman of ReedPOP and Jim Demonakos of ECCC to talk about their plans for the future of both ReedPOP and ECCC. For anyone who attends any of these shows, it’s an interview worth reading. Continue reading
Tag Archives: ECCC
It’s been one full week since San Diego Comic-con, the mother of all comic book conventions, and in the middle of all the wonderful stories of sneak peeks, exclusive merchandise, and chance encounters with geeky celebrities was a very sad story about a young cosplayer who was found with severe injuries immediately after the con. While it turned out that her injuries were actually the result of a fall, and not the assault that was considered a possibility when the news first broke, the one thing that stood out for me in all of the uproar was a phrase by a comic-con message board user, “I saw her early in the day and she looked really happy and upbeat, but I then saw her around 3 or 4 pm around the convention center and she was covering herself up and looked stressed.” Continue reading
I freely admit that bitching fanboy is a happy fanboy. In fact that is the first thing I ever said on this blog. I personally practice this on a regular basis, hence my reputation for a sunny disposition. There is, however, a limit to how much fans should become “outraged.” At what point do fans stop being the acceptable bitching fanboy and start to be something far more obnoxious and quite honestly detrimental to geeks as a whole?
To be clear, I’m not talking about the people who complain when a change is made to their favorite comic book. At ECCC, when asked what the public response was to bringing back Peter Parker, long-time Marvel writer Peter David said, “When Doc Ock took over, there were a ton of fan complaints. Now that Doc Ock is leaving, there are a ton of fan complaints.” In general, people don’t like change, and geeks are no exception. Eventually, the uproar over Spider-Man, just like with any other event, will die down and 99% of fans will either forget that the whole thing happened, or just not care. Of course there will be the diehards that won’t let it go, but the only reason the rest of us will remember them at all is by watching all the truly embarrassing YouTube videos they’ve put up. In years to come we can all sit back and laugh at their predictions of the death of the comic industry, all while we read a comic book.
Although it’s been a couple of weeks since I attended (blame Game of Thrones), it’s time to present Emerald City Comicon: The Good, The Bad and The Ugly.
Well the most obvious good thing about this convention is Seattle itself. This place is a geek mecca. With Microsoft and Boeing just down the road, this is a city that embraces its geekyness. The downtown area reminded me a lot of Manhattan, only cleaner.
I was surprised by the size of the convention. I assumed it would be a mid-sized convention, like Phoenix or Baltimore, but it was about the same size as NYCC was a few years ago. As far as the types of guests and exhibitors were concerned, there was a nice mix. Marvel, DC, Image and Dark Horse all had some presence there, though neither Marvel nor DC had a booth. There were lots of small press and web-comic people, which is really fitting given Seattle’s image. I stopped by the booths of two of my favorite web-comic creators, Danielle Corsetto of Girls With Slingshots and Kris Straub of Starslip. It’s always nice to see people like them at these shows.
Speaking of seeing people, I was able to attend both Marvel Q&A panels. Speaking from experience, Q&A panels can go very badly, very quickly, but I was pleased that both of these panels went smoothly and had interesting content.
- I was very happy to see Peter David fully recovered from his stroke and happily plugging All-New X-Factor and Spiderman 2099, as well as providing a humorous and historical perspective in the panel. Apparently, fans of Spiderwoman will be in for a treat later this year.
- A new Runaways series seems to also be in the works, as soon as the right creative team can be found.
- C.B. Cebulski also gave a few lucky fans the chance to read Original Sin #0 and #1 (in photocopied form). The chosen ones reported that both issues were pretty awesome, so I’m looking forward to reading them.
ECCC had the largest number of volunteers I’ve ever seen at a convention. I could not turn around without seeing a green shirted “minion” doing something. From escorting the special guests to manning information booths and even directing the flow of traffic, they were absolutely everywhere. Minions were also responsible for enforcing a zero tolerance policy on harassment of cosplayers. More conventions need to take this proactive approach. Harassment should not be tolerated.
Another great thing about the convention: there were some amazing cosplayers running around all three days. I was only able to get pictures of a few of them, but take a look below for some of my favorites.
ECCC was a smash hit. This is overall a great thing. The only downside lies in the fact that the show was a bigger hit than the show organizers were expecting. Line management was an issue at times, though the minions did their best to maintain order. ECCC employed a novel concept in which they limited lines for popular artists and writers by having a minion close them down for a period of time. This was likely due to space concerns, but it seemed to function pretty well.
Another issue that resulted from attendance was that there was limited space in some of the panels. While this is often the case at major conventions, I was surprised at the small size of many panel rooms. Even panels that one would expect to attract a sizeable audience were located in relatively small rooms. One panel I attempted to go to was standing room only a full thirty minutes before the panel started. Needless to say, I did not stick around for that one.
I honestly can’t think of anything truly ugly. The closest I can come to an ugly is pretty much un-fixable: the layout of the venue. The convention was spread over four floors of two buildings that were only connected via a skyway on the fourth floor. Not all the areas in the center are easily accessible from all other areas so I really had to plan my route in order to get from one point to another. While I wasn’t thrilled that the gaming area was in the hotel across the street, there was just no room for it otherwise, and the space it ended up in actually worked out pretty well.
While I don’t plan to do so any time soon, Emerald City Comicon is definitely on my list of return destinations. Seattle is a great city and they put on a fantastic event.