Category Archives: Movies

Editorial | The Batman is Dead, Long Live the Batman

So you may have heard the news… there’s a new Batman in town.  Ben Affleck, of mixed Hollywood reviews, has been signed to play the caped crusader in the sequel to Man of Steel, which will feature both Batman AND Superman.

The internet reaction to Affleck’s casting has almost been visceral.  Twitter was aflame for most of the first day with angry fans declaiming the franchise.  Honestly, I see their point.  Affleck’s breakout starring role was in a movie he co-wrote with his best friend.  It would make sense that he would seamlessly morph into his character in Good Will Hunting, since the movie takes place in Affleck’s hometown of Boston, and features the places and social norms with which he grew up.

After the 1997 instant hit, however, Affleck’s career became a series of boring (and sometimes nameless) roles in ridiculous movies—and yes, I include Pearl Harbor among those.  In 2003, the actor spandexed up for the first time in the title role of Daredevil.  The movie did pretty well at the box office, but tanked in critic and viewer reviews.  His performance in this last superhero movie seems to be the main talking point for Batfleck haters.

To be completely fair, the early 2000’s were not kind to superhero movies of any kind.  Does anyone remember the first X-Men movie from 2000?  Hulk, which came out the same year as Daredevil?  Still, although there were other terrible comic book movies in that half of the decade, Daredevil was still a pretty awful representation.

While I don’t actually see any fans of the decision, a few people have actually tried to defend the move, citing Affleck’s recent move to the director’s chair with movies like The Town.  Here, I again have to point out first that The Town  would have made a TERRIBLE comic movie, and that it was also set in Boston—Affleck’s home town.

I find it telling that typing the words “Ben Affleck batman” into Google gives me 106,000,000 hits, and the headlines read:

Ben Affleck’s So-So Batman” (Daily Beast)

3 Out of 3 Former Batmen Agree: Ben Affleck Will be Fine” (Wired)

Matt Damon Defends Ben Affleck’s Batman: ‘You Know He’s Not Playing King Lear” (Huffington Post)

Matt Damon is secretly hoping to be cast as Robin…

Even those defending the casting decision point out that Affleck will be ok.  They say that the franchise will be fine.  Life will continue on.  No waves will be made.  Affleck will not do anything amazing with Batman, but neither will he destroy the movies.

Ultimately, I think that this is the best that any DC comic fan is going to be able to look forward to in the next few Batman movies.  To be perfectly blunt, Christopher Nolan’s Dark Knight brought an unparalleled level of brilliance to Batman.  Until his spectacular three-movie feat, DC’s comic movies have been mediocre at best.  With his departure, Batman will subside back to what it was before him.

Do you agree with the Warner Bros. decision?  Let us know in the comments!

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Review: Kickass 2

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Sometimes a movie comes out that changes everything. A movie so earth shattering that you are forced to re-evaluate your entire life. These movies are so rare that we must cherish them and walk away pondering their insights. Kickass 2 isn’t one of these movies. In fact, it’s nowhere close to being one of those movies. Even though I won’t be making any major life altering decisions after seeing Kickass 2, that doesn’t mean I didn’t enjoy it.

Kickass 2 is exactly what it set out to be: an edgy tale of real life superheroes who truly don’t have any clue what they’re doing. A sequel to 2010’s Kickass, and based on Mark Millar’s comic of the same name, Kickass 2 picks up after the events of the original. Kickass, the main character, is in retirement and Hit Girl is underground, though still training and preparing as if she weren’t. Much of the film deals with Kickass as he finds and joins a team of superheroes, all of whom are inspired by the actions he has taken as the world’s first superhero. There is almost a demented Avengers feel to the movie as the team is introduced, playing off the traditional comic book story of assembling the new team to fight a big threat. The plot fits within the already established world, but, like the first one, it’s still a bit farfetched. One scene in particular with supervillian Mother Russia really pushed the limits of what is believable. She manages to take out ten police officers in some particularly bizarre methods without so much as a scratch to herself. There have been many great movies (like The Matrix) that push the limits of the believable, but they tend not to be set in the present day reality. Certain elements of the movie, such as the training sessions, although exaggerated, were believable; while others like the attack on the poker game were over the edge.

The action sequences provided a pleasant mix of choreographed fights and clever dialogue which moved the story forward, without an excessive amount of shaky camera work and without going too crazy with the gore. The first Kickass was as much about trying to shock the audience as it was about the story. This time around most of the serious violence was saved for the major fight at the end of the movie. There was, of course, some included throughout the movie, but not quite as much as Kickass. Also, the blood and violence was considerably less cartoonish. Speaking of the final fight scene, Kickass 2 had a nice comparison between the supervillains all dressed in black and red and the superheroes who were in a whole rainbow of different colored costumes. Although a bit obvious, it did make things clear who the villains and heroes were.

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As far as the actors go, I enjoyed almost every performance. Aaron Taylor-Johnson plays a very believable geek but was able to get in fantastic shape for this role. Talk about making people feel inadequate; he has muscles I didn’t know existed. Recently Kickass 2 made news even before it was released due to Jim Carrey’s criticism of the violence in the film in the light of Newtown, CT. Carrey’s performance in the movie was respectable though not excellent. He was good, but I think his statements after the fact overshadowed the performance. The standout performance of the movie has to go to Chloe Grace Moretz as Hit Girl. She was good in Kickass, but she was even better this time around. A very talented 16 year old, Chloe was really the driving force behind the story. Although the story is about Kickass and is told by him, as times it seems like a Hit Girl story with bits of Kickass thrown in the middle to break things up. While I loved seeing Hit Girl beat the crap out of Kickass in an attempt to make him tougher, my favorite scene involved her getting even with the school bullies in an incredibly fitting way.

Chloe Grace Moretz as Hit Girl/Mindy

Chloe Grace Moretz as Hit Girl/Mindy

Overall there wasn’t anything specific I didn’t like; it’s just a second tier superhero movie. When compared to the original movie, Kickass 2 is a considerable improvement. There is a much more cohesive plot line, which is a result of the source material being completed well in advance of the movie (Due to health reasons, Mark Millar had to delay Kickass the comic significantly and the last issue was released at almost the same time as the film, leading to the plot of the movie being fuzzy at times.). Kickass 2 proved to be just about everything I look for in a sequel. It gave us further character development; introduced new and interesting characters, both good and bad; and most importantly it wasn’t just a pure rehash of the first film. If you really enjoyed the first one, then check out Kickass 2 in theaters. Otherwise, it’s worth the wait for Redbox. I give this movie 3.5 Death Stars.

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Review: Dark Star

DarkStar

“…instead of the most impressive student film ever made, we had the least impressive professional film ever made”. This is how writer Dan O’Bannon described Dark Star, a zany space adventure that is far more influential to both film makers and the movie going public than most people are aware. The plot follows the crew of the deep space scout ship Dark Star as they travel the galaxy looking for unstable planets to demolish. As they continue their travels, their ship is falling apart around them, and due to their near light speed transits only three years has passed for them.

This is one of my favorite B movies, hands down. It hits me in all the right places, from campy humor to science fiction adventure. It also tickles my geek fancy because so many people who became famous later were involved with this movie early in their career. There is lots of geek trivia to be found in this film. Although it was a student film that was expanded into a full length feature, as a B movie, the effects, writing and acting are really of a higher than expected quality.

Dark Star was a stepping stone in the career of one of Hollywood’s most prolific, though maybe not best, directors. Originally, it was the master thesis for John Carpenter, later known for movies such as Halloween and Escape from New York. This movie really set the tone for the B movies for which Carpenter would become known and established a higher bar when it came to quality of B movies in the 70’s.  Movies don’t necessarily have to be good to have an impact.  Low budget films are often the perfect place for new talent to make their name.

By today’s standards, Dark Star’s effects are unimpressive and beyond antiquated, but it was released in 1974, three years before Star Wars was released and changed the special effects game. While the movie obviously produced by people who were just starting out in their field of, the effects are campy without being over the top or just plain bad.  Rather than try to be overly ambitious, the movie creators chose to stick with simple ones that could be pulled off with relative ease. Many of these effects were designed by Ron Cobb who would later gain notoriety for his work as a conceptual designer on many blockbuster films such as Star Wars, The Abyss, and of course Alien.

Dark Star is the first film written by Dan O’Bannon, who would later go on to write Alien and Return of the Living Dead (the first movie in which zombies crave brains). The characters are reasonably well developed, especially O’Bannon’s own character of Pinback.  As it turns out, Pinback isn’t actually Pinback.  Instead he is Fuel Specialist Bill Frugge who was wearing Pinback’s spacesuit after the real Pinback committed suicide. When it came time for launch Frugge couldn’t figure out how to work the spacesuit’s radio to inform people that he wasn’t Pinback so he got shipped off instead.  Being out of place, Pinback provides an amusing commentary on events and a significant lack of professionalism.

Dan O'Bannon's Pinback

Dan O’Bannon’s Pinback

Dark Star also provides a believable look into what life would be like for a crew stuck on a small spaceship for three years.  The ship is falling apart, crew members have died, and those that remain have to stave off boredom and attempt to maintain their sanity.  One crew member spends all his time in an observation dome look out at the stars and Pinback himself has adopted a pet alien.

The alien is played by a painted beach ball with rubber monster claws for feet. The seams of the beach ball are even still visible underneath the paint. Despite this, the alien is still one of the best elements of this movie.  The scenes in which Pinback chases the alien through the ventilation system later became the inspiration for Alien.  (Dark Star is basically the story of truck drivers in space as a dark comedy, whereas Alien makes that same idea into a beautiful horror film.)  So while the beach ball alien bears no resemblance to the Xenomorph, it is, in fact, its early ancestor.

If this cost more than $10 I'd be very surprised.

If this cost more than $10 I’d be very surprised.

There is very little about this film that I don’t enjoy.  However, there are several times where the dialogue is too quiet because of that what is going on in the scene becomes lost. Since the plot is pretty thin that start this only serves to add confusion. The space suits are another complaint of mine. Most of the suit is fine—especially for low budget science fiction—but the chest pieces on both space suits are baking pans. I’m not joking here. One is most definitely a muffin pan and the other is a deep metal baking pan with an air filter attached to it. I know these guys were working with a limited budget, but have to believe that they could have scraped together an extra 20 bucks for some kind of busted electronics they could have used instead of such obviously recognizable household items.

Tell me that isn't a muffin pan.

Tell me that isn’t a muffin pan.

Dark Star is a B movie to be sure, but it is one of the truly outstanding ones. The number of people who got their starts on this movie and the other movies it has spawned or been referenced by gives this movie a longevity that would not be expected of what is essentially an overgrown student film. With everything that Dark Star has to offer, I give it 4.5 Death Stars.

4.5 Death Stars

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Editorial | Review: The Wolverine

While the fearless leader of Therefore I Geek has pretty much given a flawless review of The Wolverine, there are some things I wanted to point out in the movie.

First of all, I must say that I have always been a big fan of the star-crossed love story of Jean Grey and Wolverine. Jean may have loved Scott Sommers, but she shared a special part of her heart, and a psychological connection that transcended even her death, with Logan. While her appearance in The Wolverine might have been confusing to someone new to the X-Men movies, it resonated with die-hard fans, I think.

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However, having said how much I enjoyed seen Jean again, I must also point out that Mariko is, to paraphrase one of the above mentioned diehard fans, “Wolverine’s greatest love.” It seems like an odd decision to lessen the impact of her arrival on the Wolverine movie timeline by continuing to show Logan’s flashbacks to his deceased flame whose consciousness may or may not still be around.

Speaking of Mariko, a study of Wolverine’s behavior would seem to show that, given a choice of two attractive Japanese girls, he would choose to love the bad ass one, not the one that didn’t know how to fend for herself.

Finally, I would like to point out that superheating a blade does not increase its cutting power. In fact, if adamantium were heated to the point that it could cut through adamantium, it would be melting on itself. Fail.

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Overall, I walked out of the theater feeling unimpressed. These plot points coupled with a ridiculous amount of handcam for action sequences, and an overly dark palette of colors force me to give this move just three out of five Death Stars.

3 Death Stars

[I DID however squeal ever so slightly over the X-Men: Days of Future Past trailer at the beginning of the movie. Well done, movie creators!]

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