Category Archives: Movies

Review: The Wolverine

the_wolverine_teaser_one-sheet

“I’m Wolverine. I’m the best at what I do, but what I do isn’t very nice”.  Ok, so that quote isn’t in The Wolverine, but it has always been true.  This movie is no exception.  The Wolverine provides plenty of high energy action as well as some nice quiet moments which are used to explore the thoughts going on inside Logan’s head.  All said and done this was a fun summer action movie, but while certainly better than X-Men Origins: Wolverine there was still some room for improvement.

Prior to seeing the film on Friday night, I had intentionally avoided reading or watching almost anything about the film as much as possible.  While parts of X-Men Origins: Wolverine were good, overall I was not impressed and I wanted to come into this film with as clean a slate as I could.  This meant that until about fifteen minutes into the movie I wasn’t quite sure where in the X-Men film timeline this film took place.  This is not necessarily a bad thing, but I had assumed it would be a direct sequel to the first Wolverine movie.  Instead it takes place sometime after the events of X-Men: The Last Stand.

After an opening flashback sequence, we find Logan living on the fringes of society, sleeping in the woods, haunted by nightmares of things he’s done.  A quick few scenes occur in Wolverine’s native Canada and then viewers are off to Japan, where the real story begins.  This story taps into material from the Frank Miller Wolverine mini-series as well as the first story arc of the Wolverine on-going series that followed.

The first thing I’d like to mention is that they fixed the biggest problem I had with the last movie:  the CGI claws. For whatever reason, in several scenes of the previous Wolverine movie, the CGI claws look incredibly low budget and just plain bad.  That was not the case this time around. I don’t know if it was due to better CGI or the possible increased use of physical claws, but it did the trick.

I had no issue with the plot.  I have only a passing knowledge of this particular portion of Wolverine comics, so the movie seemed to line up well enough with what I already knew.

Hugh Jackman’s portrayal of Wolverine is still fantastic.  He has a great understanding of the character and it appears that he truly enjoys putting on the claws and sideburns to become Wolverine.

Okamoto-Mariko

I think it’s a pretty good fit.

Playing Wolverine’s love interest, Mariko, was new comer Tao Okamoto.  I liked her performance, but it did seem as though she is new to film acting.  With a bit more time and experience I think she could do some interesting things.

Fellow model-turned-actress Rila Fukushima served as a sidekick of sorts to Wolverine and served well enough in the role, though her English was a bit choppy and that wore on me after a while.  Several of the other cast members looked familiar to me, but I couldn’t place them and had to look them up on IMDB.  Mariko’s father, Shingen, was played by Hiroyuki Sanada, who I knew as Kaneda in Sunshine, and Yashida, played by Hal Yamanouchi, had a small role in 2004’s The Life Aquatic with Steve Zissou.

The phrase “big superhero movie” implies several things, chief among which is action. The Wolverine delivers on the action pretty consistently though the movie.  All actions movies have their peaks and valleys, but this one seemed to have many more of both. Shorter, more frequent periods of calm were punctuated by action sequences of varying length. Since the movie was rated PG-13, the amount of violence that could be shown was minimal, but it was still obvious that Wolverine is still the best at what he does—slashing and stabbing people.

Unfortunately, the action scenes lead me into what I didn’t like about the movie.  I cannot stand shaky camera work, and many of the action sequences were shot using this terrible technique. I understand that the idea is to try and convey a sense of movement and the chaos of a fight, but instead it just causes viewers confusion and really bad visuals. Some of these scenes would look so much better they didn’t feel like a Parkinson’s patient was holding the camera. On a positive note, the panoramic scenery shots were wonderful.  They really make me want to visit Australia, where the film was shot.

My other biggest complaint has to do with the considerable amount of prior knowledge necessary to really enjoy most of this film.  At various points in the movie, Logan dreams about Jean Grey.  Although I have always loved her character, her inclusion without any explanation made for some confusion.  I also felt that Jean’s presence in this movie was unnecessary. It’s not that I didn’t like the actress who played her or how they used her; I just think the movie would have been perfectly fine without her in it.

I would also like to point out that there were far too many secondary villains.  There were 5 different characters that I would classify as secondary villains, in addition to the final bad guy, the Silver Samurai. The only saving grace in this is that unlike Iron Man 2, which suffered from too many villains with separate plots running at the same time, all of Wolverine’s foes tied into a single interwoven plot.  viperAlso, the use of Viper as a secondary villain confused even me. I have a fair amount of Marvel Comics knowledge and I had to look her up when I got home. I’m sure there was another more prominent villain that they could have used.  I’m also unsure of her previous connections to Wolverine in the comic universe.

In both the comic and the movie universes Wolverine is a major fan favorite, and yet for some reason, these movies keep falling short of achieving their full potential. I have heard nothing about a potential sequel, and this weekend’s box office take makes me doubt the likelihood a bit, but the increase in quality makes me believe that a third movie could really be something special.  While I liked the movie, I wasn’t wowed by it and there were some considerable flaws that detracted from the overall enjoyment of the movie. Moreover, the amount of background knowledge needed makes this a difficult jumping on point for new movie goers.  I give The Wolverine 3 out of 5 Death Stars.

3 Death Stars

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Editorial | Review: Much Ado About Nothing

Angel fans, rejoice!!  Fred and Wesley have finally gotten their happily ever after!!!  Ok, not really—but I still felt a little twinge of rightness in the casting of Benedick and Beatrice in Joss Whedon’s Much Ado About Nothing.  Here’s the good, the bad, and the ugly of this film according to me.

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Together at last!

The first scene made me instantly cringe and prepare for a long hour and a half—awkward speech and several actors deliberately not looking at the camera gave me that “indie” feeling—but the instant that Alexis Denisoff (Benedick) opened his mouth—the second scene he was in, for those counting—all anxiety fled.  This man was made for the boards!  His delivery was spot on, and his facial expressions and body language completely clarified any contextual issues in a form of English that is five centuries old.

Amy Acker sparkled as the witty, aggressive Beatrice.  It is a character that can easily appear abrasive, but that is not a word that can ever be applied to Acker.  The dynamic between these two characters completely overtakes the primary plotline, which is the rocky road to marriage for Claudio and Hero.

Whedon, unable to leave his mark on the script, instead brands his work with brilliant direction and non-speaking asides.  Notably, Beatrice mocks Benedick during an interlude by a fire pit, and repeatedly brushes away the amorous advances of the man sitting next to her with barely a thought; Leonato, worn out by a two day bender, falls asleep in the middle of Claudio’s formal request for his daughter’s hand, and is sharply woken by Beatrice; the watchmen, recast as Don Pedro’s private security, lock their keys in their car and become frantic.  Another brilliant move was in casting Conrade, henchman of Don John, as a woman.  This allowed for an interesting twist in their relationship (pun entirely intended), and made Don John appear even more depraved.

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Because Nathan Fillion.

I occasionally felt that the dialogue could have been enunciated more clearly—several lines were lost in conversation—but considering how meticulous the Bard was about infusing his plays with tongue-twisters and puns, this is understandable.

The fact that the entire film is clearly a summer party and that it was filmed in the director’s own house, gives it a feeling of intimacy that is unusual for Shakespeare.  Ultimately, I left the theater feeling not as though I had just watched a Shakespearean play, but that I had just watched a group of funny, witty people carry out a party weekend in Elizabethan English.  Very funny, very witty people—and I want so badly to be friends with all of them.  Much Ado About Nothing is sweet, sexy, subtle, and smart. I highly recommend it.

“The play’s the thing…”  Yes it is, my dear Joss, yes it is.

Four out of five death stars.

4 Death Stars

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Review: Much Ado About Nothing

Much_Ado_About_Nothing_one_sheet

We all know I’m a comic geek.  In addition to this however, I’m also a fan of Shakespeare.  I started reading the Bard’s works in fifth grade starting with Hamlet and Macbeth.  As I’ve gotten older, I’ve also come to really love modern interpretations of the plays.  Among my favorites are Scotland, PA and 10 Things I Hate About You, and now I’m quite happy to add Joss Whedon’s Much Ado About Nothing to that list.

Probably the most distinctive thing about a Joss Whedon movie is the script.  Anyone who is at all familiar with his work knows that his writing has a very specific feel that is immediately identifiable.  Joss’s choice to use the traditional Shakespearean script instantly removes his most notable trademark and raises a self-imposed challenge —one that Joss hurdles almost effortlessly.  Instead of adding his quirky sense of humor to the back and forth banter of the characters, Whedon leaves dialogue to the master and inserts himself into the direction of characters and the addition of small, non-speaking scenes.

It is obvious in several scenes that Whedon is providing very specific physical directions to actors to make best use of the existing dialogue and to enhance the scene through their performance.  Although I find Shakespearean comedies funny on their own, these new directions that Joss provides take this to a whole new level.

During one particular scene Benedick is listening in on a conversation between several other characters.  While it would be simple enough to have him hide behind a bush or something similar, Joss instead has Benedick doing all kinds of ridiculous things to hide including lying flat on his stomach in the grass while trying to use a rather inadequate tree branch as cover for his face. The other characters are obviously aware of what is going on, but ignore him and continue with their conversation. I have no idea how any of these actors were able to keep a straight face while these crazy antics were going on just behind them.

One of the non-speaking scenes that added to the film takes place between two of the security guards. Thanks to the many conversations we’ve witnessed between them, we are already well aware that they are not overly gifted in matters of the mind, however to further reinforce this impression, this little scene shows the two of them searching for their keys, only to realize they locked them in the car.  This scene is completely unnecessary but it adds so much to the characters. It allows for the quick glance deeper that Whedon is known for, without saying a word.

security

Nathan Fillion would like it known that he is an ass.

I would be remiss if I failed to mention the casting of this film.  Made up of many Whedon alumni, the cast works just as it should.  Unlike Shakespearean tragedies, the comedies feel more like an ensemble.  Despite having plenty of recognizable faces in the cast, there are no divas, and no true standouts.  This is not to say that none of the cast stood out, but more to say that the cast as a whole was amazing.  While I have no doubts there were several outtakes due to dialogue, I can’t remember any points in the film where the sometimes difficult Shakespearean English tripped up the actors.  It was all delivered cleanly and in a manner which helped make the often muddy much clearer.

I think the most telling thing for me is that I have almost nothing negative to say about this film.  Although I did have a moment of trepidation at the very beginning due to the seemingly stereotypical “indie film” opening scene, this was cleared up within another minute.  There were one or two times that I didn’t care much for the way a particular camera angle was used or that the music may have been a bit too menacing, but this was all so minor that it didn’t take away from the film as a whole.  Let’s be honest, if all I can find to complain about is a couple of camera shots and a minute or so of music, this is definitely a home run and damn near a grand slam.  Whether you are a fan of the Bard, of Mr. Whedon, or both, this film is definitely worth checking out. I already have plans to add it to my Blu-Ray collection.

5/5 Death Stars

5/5 Death Stars

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Review: The Toxic Avenger

toxie one sheet

Of all the companies that make B list movies, none have quite the following that Troma has. Their name has become synonymous with campy, hypersexual, and blatantly graphic (though unrealistically) violent films. While they are also known for such “classics” as Nuke ‘Em High and Sgt. Kabukiman, NYPD, the ultimate Troma film has to be The Toxic Avenger.

What makes The Toxie Avenger so great is that it came out in the 80’s, at a time when the genre of B movies had declined to an all-time low. By the end of the 70’s many of the higher end B movies were being made into A movies with bigger budgets and more well-known casts. What was left was dredged up from the bottom of the post-censorship rules barrel. These films were increasingly cheap, violent, and just plain bad. The Toxic Avenger came out right in the middle of this decline, as the epitome of what the genre could be, part bad comedy and part low budget horror film.

Melvin

A weakling, weighing 98 lbs…

The plot of the movie begins with Mervin, the mop boy at the Tromaville Health Club, enduring considerable amounts of torment from a homicidal twenty-something with ‘Roid Rage named Bozo.  He is tossed out a window where he lands in vats of toxic waste and is transformed into the horrifically mutated Toxic Avenger (lovingly referred to by fans as “Toxie”).

After his terrifying transformation, Toxie begins to hunt down all of the town’s evildoers, which obviously includes his former tormentor, who has taken to running down children in the street in his free time.  As Toxie works his way through the series of evil people he wants to take out, he finds rather creative ways to kill off the dredges of society.  Three thugs involved in a robbery meet particularly disturbing ends involving a milkshake mixer, a deep fryer, and a pizza oven respectively.  Of course, since every movie has to have a romantic side, Toxie has a love interest who is blind (something like Alicia Masters in Fantastic Four.).

This had to hurt, just a little.

This had to hurt, just a little.

For a low budget film, this is pretty fabulous. It has all the things I want to see in a B movie from that time period. Despite their best efforts, the acting is terrible. In the fast food restaurant robbery scene, one robber tries so hard to look intense and intimidating that his body tenses and his eyes bulge almost out of his head. I was concerned he was going to have an aneurism! The primary antagonist, Bozo, suffers from what one can only assume are steroid induced mood swings that left me both stunned and laughing. I wish real steroid users were this amusing. Even Toxie is not immune to the bad acting plague going on in this movie. Melvin is barely able to open his eyes or deliver lines and after his transformation, Toxie’s voice is dubbed in so poorly that even fans of the terrible voice dubbing in Godzilla films would be appalled.

Complementing the terrible acting are the less than impressive sets. The love shack in which Toxie and his love interest set up looks like something made by kindergarteners with paper mache. Other sets look like someone dumped an office trash can in front of the wall of a sound stage in an attempt to depict a garbage strewn alley that falls more than a little short. Most trash filled alleys I’ve seen (and having lived in New York for several years, I’ve seen my fair share), are far from white drywall with crumpled paper and food wrappers lightly strewn about.

The fight scenes are a particular source of entertainment. Filled with terrible martial arts and quick cuts, in a vain attempt to portray action, these scenes had me almost in tears from laughter. Any time a gun goes off, blood squibs are used in a liberal fashion and to very little effect.

Eventually Toxie’s actions earn him the ire of the corrupt, local officials who want to see him taken down. The movie ends, as many movies of this genre do, with a big scene in which the army is called up and a mass of men in uniform with surplus equipment show up on scene.  By the end, Toxie resorts to using his hands to pull unidentifiable organs out of the town’s rather bloated mayor.

This goes bad, quickly.

This goes bad, quickly.

Toxie has over the top violence, a German scientist with an atrocious accent, one of the worst sex scenes I’ve ever witnessed(Watchmen is still worse), and a car chase with the crappiest cars they could find, all things adding to The Toxic Avenger’s imperfect perfection. The one thing I was truly impressed with was the amount of army surplus equipment they managed to scrape together. While some of the shots may have involved the same trucks driving past the camera more than once, there were also an old tank, several jeeps and trucks, and a whole mess of machine guns. For a movie of this caliber, it is quite a spread. I can’t think of a better choice for my introduction to Troma’s B movie library.

3/5 Death Stars

3 Death Stars

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