Tag Archives: Atomic Robo

VA Comicon: The Good, The Bad and The Ugly

banner_VAconThis past weekend was one of my local comic shows, the VA Comicon. While very different than events like New York Comic Con, these small, local shows are actually some of the most important in the comic industry. They allow fans of all kinds to get together, buy and sell comics and other geek paraphernalia, but more importantly they allow geeks to meet and socialize while not requiring they shell out $85 for a weekend pass. Unfortunately these small events also have some considerable drawbacks. So without further ado, Therefore I Geek presents The Good, The Bad and The Ugly of the VA Comicon.

The Good

It had been about four years since I’d made the relatively short trip from Hampton Roads to Richmond for a VA Comicon, but this year I decided to do it.  Much like when I last attended, there was a big name—Rob Liefeld—intended to draw people in.  Last time I jump on the chance to get autographs from Chris Claremont, Michael Golden, and Larry Hama, but they were nowhere near the draw that Liefeld is.

Rob Liefeld, a.k.a He Who Shall Not Be Named.

Rob Liefeld, a.k.a He Who Shall Not Be Named.

It was so great to see that this local convention has grown so much in the past few years. The show has grown so much in fact that they had to move venues. The location, at the Richmond International Raceway, was a plain, but clean building that allowed for a rather spacious convention experience.

In addition to have more people in attendance, the number and quality of exhibitors has improved.  In addition to Liefeld, Brian Clevinger and Scott Wegener of Atomic Robo were present. It was nice to see these guys again, but at a smaller show after the craziness of NYCC. There were also several booths selling all kinds of interesting stuff. Check out the end of the post for links to my favorites.

The Bad

Local shows like this are a great way for fans to who don’t have the opportunity to go to large cons to get out and have at least some of the experience. That having been said, a fair number of these people are lacking in convention etiquette. For starters, on more than one occasion I was accosted by the smell of someone who hadn’t showered recently. Unlike many small shows, this one was blessed with a spacious hall and therefore I was not pressed up against people.  If I can smell someone from a couple feet away, they have a body odor problem. There were also several times where people would essentially block the entire aisle for no apparent reason. In larger conventions I see this as almost unavoidable given the sheer number of people who are in the space, but here more than once people could have simply stepped two feet to the right or left and made space for people to pass.

The Ugly

The convention layout had some incredible flaws. In my mind, the most egregious of these was how panels were addressed. Basically they had a couple sets of metal bleachers were set up in the middle of the room and the person conducting the panel sat or stood in front of them and tried to talk over the crowd milling around booths behind them. This is no way to attract people to either attend said panels or host them. Panels can be one of the most memorable things about a con and these were severally bungled. What I have seen at other conventions that don’t have separate rooms available for panels, is having a small area segregated off with curtains and a small sound system present so that panel-goers aren’t stuck in the middle of the con and the speaker can be heard. Panel isolation doesn’t have to be anything fancy, but it makes a difference.

The red circles indicate areas where panels should not be located.

The red circles indicate areas where panels should not be located.

A bit of line management would also be helpful. Rob Liefeld’s line ran diagonally across nearly the entire 36,000 square foot room. This meant it had to cross the aisle twice and cut through the middle of the con floor (also right past the panel area) and behind all of the exhibitors booths. I made about four passes around the con floor and each time I passed the line, the single person running it was trying to figure out if someone was or was not in line and where the line actually was. A slightly better floor layout and a couple of extra volunteers and this could have gone much more smoothly.

Conclusion

This wrap up may seem a bit negative, but I had a really good afternoon. VA Comic Con, don’t get down on yourselves, you did a great job. I’m really pleased to see how much things have grown in just the last few years while I’ve been absent. I’m looking forward to the next convention.

Don’t forget to check out the links!

Altruistic – Wood products with a geek flavor

Pixel Who – Doctor Who Pixel Art

Super Sox Shop – Handmade Sox, Swords, Stuffies, and Sacks

Desktop Gremlins – Paper Craft Books

Geek Boy Press – Geek Apparel

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Editorial | New York Comic Con: Day 4 and Weekend Recap

It was the best of times, it was the worst of times.

Call me Ishmael.

Once upon a time…

It was a dark and stormy night…

It was my very first comic convention.  I was excited, but exhausted.  The train from Williamsburg arrived in Penn Station right on time at 1:50 a.m.  I caught my very first NY taxi (not as easy as it looks in the movies) and headed to the Jane Hotel.  When I arrived, the bar that was located in the bottom of the hotel was throwing people out, and the steps were full of drunken people in nice clothing complaining to everyone around.  The three impressive looking bouncers were inadequate to clear the steps, so I had to punch a hole through the crowd with one arm and haul my baggage up behind me with the other.

An Evil Dr. Horrible and me (I’m hunching because my backpack weighs about 200 lbs)

Finally I made it into the hotel and up to the room to pass out until eight o’clock a.m. when it was time to get ready.  I wore my shirt, emblazoned with the Therefore I Geek logo.  (This is called “foreshadowing,” which means that I am providing a seemingly trivial detail that will reappear later.)

About an hour later, it was time to head to the convention venue, the Javits Center.  I had some protein bars, a bottle of water, and some pretty high expectations stuffed into my backpack.  The line to get into the convention center was not particularly long, and the guys who were scanning our badges to let us in were working very quickly, so we moved right along.

Once inside the center, there was so much to see and do!  Too bad there were so many people blocking our way.  We started out meeting some of Andrew’s friends and picking up some free, signed books.  Cosplayers were everywhere!  I was impressed at the sheer number of people who were willing to dress up.  Perhaps more impressive than the really amazing costumes—of which there were many—were the number of not-quite-finished costumes that fans still wore with pride.

So many people!! (Photo credit to Chris Powers)

So many people!! (Photo credit to Chris Powers)

As we walked through the publisher’s booths, a woman noticed our shirts and commented on the reference to the therefore symbol.  I got very excited, since not everyone sees the symbol in our logo and explained that we were the staff of a geek blog.  She promptly showed us the book that the table was selling—a new translation of the story of the Book of Revelation presented in a graphic novel.  She also introduced us to Mark Arey, who was the primary translator for the project.  I had met my match in wordsmiths, clearly.  We had an impassioned conversation about languages and their nuances, and I ended up buying the book.

The translator on this project is former Greek Orthodox, and a truly passionate linguist.

After a few hours of checking out authors, books, and other booths, we decided to head to Artist Alley to see the creators of Atomic Robo.  This was pretty high on my list of things to do, so I was excited.  Brian Clevenger and Scott Wegener were both friendly and willing to have a conversation with us.  We picked up a couple of books from their table and had the creators sign them.

Then we were off again, this time through the tables of Artist Alley.  The aisles were lined with artists, from the very famous such as Chris Claremont and Frank Cho, to those who had never actually worked on a book, but were trying to get their names noticed.

In one of the more disappointing moments of the weekend, we stood on line to get autographs from Neil Degrasse Tyson, only to be told that the line had been cut off.  After that, more running around was punctuated by a panel about “breaking into comics,” hosted by the editors from Dark Horse, Oni, Avatar, and Boom! comics.

Needless to say, I was exhausted by the end of the day.  The next morning came way too fast, and I definitely started out the day with a shortage of energy.  I picked up some new trades and a couple of graphic novels upstairs, and a really nice print of the cast of Firefly from Artist Alley.  I looked high and low for a Beast figurine, but without any luck.

My reading list of doom has grown exponentially!

My reading list of doom has grown exponentially!

We wrapped up the day with a panel about protecting intellectual property, which contained a lot of valuable information.  It was funny to see the height of the waiting queues shrink as the weekend progressed.  On Friday, people stood in line and chatted with each other.  By Saturday evening, about half of the line sat on the floor while they waited for the doors to open.  On Sunday afternoon, every single person on line was sitting on the floor.  Clearly there was not even enough energy in the collective to keep one human being upright.

While the competitor inside me cannot say that I “won” my first con, I did have a lot of fun and made a lot of great memories.  However, I really cannot wait to do the whole thing over again—perhaps even in a different city.

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New York Comic Con: Day 3

Day 3 has come and gone and only the strong are left standing. Personally, I am laying down.

These people are not the strong...

These people are not the strong…

Today was Tracy’s first day of NYCC and Saturday is always a busy day–perhaps not the best day on which to start. We spent most of our time wandering around the convention floor looking at various different booths and taking pictures of all the different cosplayers. We also managed to score ourselves a couple of free autographed books from publisher booths (ask Tracy about the line Nazi). In general things went very well today

There was one thing that I must admit to being disappointed and frustrated about. We missed the chance for an autograph with Dr. Neil Degrasse Tyson. His signing started at 4:00 pm, but his line was cut off at around 3 o’clock because of how massive it had gotten. I totally understand this, since Dr. Tyson is the current rock star scientist. The man is a great speaker and fantastic advocate for science.

What got to me was the complete failure of communications on the part of the NYCC staff and crew. When we first arrived we were told that the line was closed and we were disappointed, but stuck around because we were waiting for some friends to show up. Shortly after our friends arrived we were told by a NYCC Crew member (volunteer) that the line was reopened and we promptly jumped on the line. I mean, seriously, who wouldn’t go for it?  After an HOUR of waiting on line we were rather rudely told by a NYCC staff member that we would not make it and that the line had been closed for two hours and that we needed to get off the line. She then bounced away to go yell at more people to get off line–frustrating my friends and me.  Needless to say, the crew member had been wrong to reopen the line and we were unable to get our autographs.

www.npr.org

Autograph or not, this guy is still pretty awesome.

We of course had to make a stop by the Atomic Robo booth in Artist’s Alley and share with them our recently found love of their book.  At my first mention of the old Big Apple Con there was a visible, visceral reaction from both artist and writer. I had to laugh a little bit because, while it was nice to look back and remember those good old days when I didn’t know any better, I do know better now and those were rough conventions. I’m so glad I’m not the only one who has that reaction.

After some more walking around we went off to a panel about breaking into comics with editors from BOOM! Studios, Avatar, Oni, and Dark Horse. The panel quickly turned into a Q&A session, which in most panels includes good and bad questions. While the good questions were few and far between here, I was very impressed with the stream of constantly good answers the panel of editors provided. Even for the bad questions, the panel had good advice and information.

And of course to top off the day, I got a picture taken with the wonderful Chase Masterson. I am a very happy man.

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Being Wrong Never Felt So Good

Now, I don’t know about you, but I love being right.  I love being the person who has the correct answer; the one who picks winners.  (I still can’t figure out sports though, I’ve gotten every World Cup Final wrong.)  Even when it comes to comics I love to be the person who knows what plotline will work, which author will do a great job on what books, and even which books will succeed.  Having said that, I have never before been so happy to be completely and utterly wrong.

Back in 2007, as a comic book rookie, I was wandering through poorly lit aisles full of sweating, questionable smelling geeks at a Big Apple Con when I came across a booth manned by a creator proudly selling his new book.  I stopped for a minute to look at what he had to offer.  The writer was so excited that energy radiated from him as he talked about his creation.  He told me with great enthusiasm that his first couple issues had almost sold out and he was getting ready for another printing.  The book looked all right, but I wasn’t particularly impressed and didn’t think it would go very far.  As I walked away I filed the name of the book in the back of my mind along with other useless knowledge that’s stored away, waiting for the right moment to whip it out and show off my vast knowledge.  That creator was Brian Clevinger and the book was Atomic Robo.

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Flash forward several years to a moment in one of my local comic book shops as I happened across several issues of Atomic Robo.  Like a good little brainiac, I recalled the info I had stored away for just such an occasion, and investigated to find out what was going on with this book I had written off so readily.  As it turned out, not only had the book survived, it had excelled, earning a highly coveted Eisner nomination in 2008. While not a mainstream book, Atomic Robo had managed to carve out a considerable fan following.

I wasn’t quite ready to admit I was wrong, so I waited a few more months, but curiosity finally got the better of me, and I decided to check it out.  Now I wish I had read this sooner.  Atomic Robo feels like a cross between the humor, adventure, and energy of Indiana Jones and the simple art style of Hellboy.

The first volume, Atomic Robo and the Fighting Scientists of Tesladyne is one of the funniest books I’ve read in a very long time.  Throughout the book there is a wonderful sense of adventure.  The stories in this first volume loosely follow the same plot line, following Robo, a sentient robot built by Nicola Tesla, and several adventurer scientists from Tesladyne Industries as they combat giant ants, mobile pyramids with robot mummies, and other things far too weird for the US government to handle.  These stories provide a nice introduction to the world and main character.  Along the way, the story arc occasionally takes humorous side roads into adventures with mobile pyramids and ancient death rays.  My favorite story is the stand alone tale of how Robo receives a letter from the grandchild of one of his former WWII buddies who had died.  It is a touching story about how an immortal robot deals with outliving his friends.  What could otherwise be a tricky subject is told with grace and skill.  Then the story just moves on, as it should.  The book covers the first 6 issues of Atomic Robo and issues 1, 5 and 6 introduce a potential reoccurring villain in the amusingly stereotypical Nazi super-scientist Helsingard while issues 3 and 4 follow Robo to Egypt and a fabulous flashback to Robo’s “manned” mission to Mars.

Each story is complimented superbly by the art, which is wonderfully simple and uses a vivid color pallet, reminiscent of Mignola’s Hellboy issues.  Often, simple art styles run the risk of a lack of expression or emotion, but that is not the case with Scott Wegener’s art.  Despite lacking most human facial features, Robo is able to convey a full range of emotions, which is a serious credit to Wegener.

My only complaint with Atomic Robo and the Fighting Scientists of Tesladyne is that some of the action sequences were a little vague, sometimes making the progression from one panel to the next unclear.  This is such a minor issue that it does not take away from the overall enjoyment of the book.

So far Atomic Robo has completely surprised me in the best way possible, and I have to give it four and a half out of five stars.  The first volume was funny and adventurous, and with 6 more volumes published so far, I cannot wait to jump back into this world and see what is in store for Robo and the gang at Tesladyne.

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