Category Archives: Reviews

Review: The Toxic Avenger

toxie one sheet

Of all the companies that make B list movies, none have quite the following that Troma has. Their name has become synonymous with campy, hypersexual, and blatantly graphic (though unrealistically) violent films. While they are also known for such “classics” as Nuke ‘Em High and Sgt. Kabukiman, NYPD, the ultimate Troma film has to be The Toxic Avenger.

What makes The Toxie Avenger so great is that it came out in the 80’s, at a time when the genre of B movies had declined to an all-time low. By the end of the 70’s many of the higher end B movies were being made into A movies with bigger budgets and more well-known casts. What was left was dredged up from the bottom of the post-censorship rules barrel. These films were increasingly cheap, violent, and just plain bad. The Toxic Avenger came out right in the middle of this decline, as the epitome of what the genre could be, part bad comedy and part low budget horror film.

Melvin

A weakling, weighing 98 lbs…

The plot of the movie begins with Mervin, the mop boy at the Tromaville Health Club, enduring considerable amounts of torment from a homicidal twenty-something with ‘Roid Rage named Bozo.  He is tossed out a window where he lands in vats of toxic waste and is transformed into the horrifically mutated Toxic Avenger (lovingly referred to by fans as “Toxie”).

After his terrifying transformation, Toxie begins to hunt down all of the town’s evildoers, which obviously includes his former tormentor, who has taken to running down children in the street in his free time.  As Toxie works his way through the series of evil people he wants to take out, he finds rather creative ways to kill off the dredges of society.  Three thugs involved in a robbery meet particularly disturbing ends involving a milkshake mixer, a deep fryer, and a pizza oven respectively.  Of course, since every movie has to have a romantic side, Toxie has a love interest who is blind (something like Alicia Masters in Fantastic Four.).

This had to hurt, just a little.

This had to hurt, just a little.

For a low budget film, this is pretty fabulous. It has all the things I want to see in a B movie from that time period. Despite their best efforts, the acting is terrible. In the fast food restaurant robbery scene, one robber tries so hard to look intense and intimidating that his body tenses and his eyes bulge almost out of his head. I was concerned he was going to have an aneurism! The primary antagonist, Bozo, suffers from what one can only assume are steroid induced mood swings that left me both stunned and laughing. I wish real steroid users were this amusing. Even Toxie is not immune to the bad acting plague going on in this movie. Melvin is barely able to open his eyes or deliver lines and after his transformation, Toxie’s voice is dubbed in so poorly that even fans of the terrible voice dubbing in Godzilla films would be appalled.

Complementing the terrible acting are the less than impressive sets. The love shack in which Toxie and his love interest set up looks like something made by kindergarteners with paper mache. Other sets look like someone dumped an office trash can in front of the wall of a sound stage in an attempt to depict a garbage strewn alley that falls more than a little short. Most trash filled alleys I’ve seen (and having lived in New York for several years, I’ve seen my fair share), are far from white drywall with crumpled paper and food wrappers lightly strewn about.

The fight scenes are a particular source of entertainment. Filled with terrible martial arts and quick cuts, in a vain attempt to portray action, these scenes had me almost in tears from laughter. Any time a gun goes off, blood squibs are used in a liberal fashion and to very little effect.

Eventually Toxie’s actions earn him the ire of the corrupt, local officials who want to see him taken down. The movie ends, as many movies of this genre do, with a big scene in which the army is called up and a mass of men in uniform with surplus equipment show up on scene.  By the end, Toxie resorts to using his hands to pull unidentifiable organs out of the town’s rather bloated mayor.

This goes bad, quickly.

This goes bad, quickly.

Toxie has over the top violence, a German scientist with an atrocious accent, one of the worst sex scenes I’ve ever witnessed(Watchmen is still worse), and a car chase with the crappiest cars they could find, all things adding to The Toxic Avenger’s imperfect perfection. The one thing I was truly impressed with was the amount of army surplus equipment they managed to scrape together. While some of the shots may have involved the same trucks driving past the camera more than once, there were also an old tank, several jeeps and trucks, and a whole mess of machine guns. For a movie of this caliber, it is quite a spread. I can’t think of a better choice for my introduction to Troma’s B movie library.

3/5 Death Stars

3 Death Stars

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Review: Queen and Country Definative Edition: Vol. 1

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Americans have a bizarre fascination with almost all things British. Maybe this comes from our history as formerly rebellious subjects of the Royal Majesty, or maybe it’s just because we think British people talk funny. Very near the top of British things we love is anything having to do with British spies. Americans have made twenty three James Bond films for crying out loud. If that’s not an obsession, I don’t know what is. In the realm of comics, the 007 role is filled by Queen and Country by Greg Rucka. While Bond shows the life of spies as glamorous (is there really a glamorous side of a spy’s life?), Queen and Country is closer to reality and is full of fantastic and intriguing details that make for a wonderful page turner.

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Sorry Sean, it’s just too good to be true.

Queen and Country is unlike most comics in several ways. Written in short arcs, each story is a stand-alone tale involving a particular mission undertaken by the MI-6 operatives Tom Wallace, Tara Chase, and Edward Kittering (called Minders 1-3 respectively) under the leadership of Director of Operations (D. Ops), Paul Crocker. Although Chase is the primary protagonist (even though she is Minder 2), the other Minders and D. Ops all get plenty of time in the spotlight and seem to hardly be secondary characters. Writer Greg Rucka very skillfully shows the difficulties these characters are forced to go through, both physically and mentally as they try to protect Great Britain from all of its foreign enemies while trying to maintain their humanity. The reality of the intelligence community is that it often stresses people beyond the limits of what most people can endure and then ask them to sacrifice the very things that make them able to cope with this stress. Rucka’s adroit use of these types of details make it easy to believe that he is telling true stories relayed into comic book form. Queen and Country provides an extraordinary look into the world of international espionage while still holding on to the human element in the lives of the Minders.

Queen and Country Definitive Edition: Vol. 1 consists of 3 stories, “Operation: Broken Ground,” “Operation: Morningstar,” and “Operation: Crystal Ball.”

“Operation: Broken Ground” deals with the assassination of a Russian arms dealer by Chase and the fallout afterwards. After a successful post-assassination escape, Chase must deal with Russian hit squads coming after her as well as the guilt she has from killing another human being (even if he did deserve it). I found starting off the series with a character study like this to be a rather daring choice. What makes it even better is that it is very well done. I found myself asking how I would respond if I were in the same situation.

Of the three stories in Volume 1, I was most amazed by “Operation: Morningstar,” which tells about how Minders 1 and 3 are trying to retrieve intelligence that had been obtained by a recently murdered journalist in Afghanistan. To an audience today this doesn’t seem to be all that out of the ordinary as Afghanistan has been a part of lives for the last twelve years. What makes this storyline so incredible is that was written and published pre-9/11. It is a spy story taking place in Taliban-controlled Afghanistan, and shows the terrible conditions and treatment by terrorists of the people living under their heel—and it was all written before September 11, 2001. The foresight revealed in this story is both stunning and rather unnerving. The story itself is well written and has a great sense of suspense and intrigue.

The final story, “Operation: Crystal Ball,” involves a defector trying to give details of a terror plot and the race to prevent the attack. The first issue of this story also shows us how the characters deal with the events of 9/11 and its impact on their field in particular.

The art for each of the individual arcs is pretty good. While frequently on the cartoonish side, the black and white illustrations rarely seem out of place and are typically very easy to follow even during action sequences with very little dialogue. The Definitive Edition also includes some great one page splashes from Tim Sale between issues. Something that is rather helpful to new readers is the character roster that is included before the start of each story arc. Since the art changes with every new story—and sometimes in the middle of a story—this roster is useful in helping readers identify characters.

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Tim Sale’s amazing depiction of Tara Chase.

These changes are my only real complaint. I would have liked to see a bit more consistency from arc to arc. This might be a result of reading all the stories in a combined format the way I did, but the wildly different styles, though all well done, made this feel much less cohesive. Using artists with similar styles would have provided a more unified feel to the whole collection.

After finishing Queen and Country Definitive Edition Vol. 1 all I wanted was more. I want more of these characters, more adventures and more political intrigue. I’ve already picked up the next volume and it is on the top of my reading stack. I would recommend this to anyone who is looking for a comic outside of the normal superhero genres or anyone who loves spies and political intrigue.

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Review: World War Z

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I’m kind of over the whole zombie thing. Over the last few years people have gone a little zombie crazy and the market is well beyond saturation at this point.  Also, I was not particularly thrilled to find out that this movie was basically World War Z in name only.  I am a huge fan of the book and had really been looking forward to seeing it made for the big screen.  My enthusiasm quickly faded a few days ago when I came across an interview with author Max Brooks.  Brooks, son of comedy genius Mel Brooks and actress Anne Bancroft, is no stranger to Hollywood and was well aware that his novel wouldn’t make it to the screen intact.  In the interview Brooks said that people should see the movie and judge it strictly as a movie.

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Max Brooks and me at NYCC 2010

While not going so far as to endorse the film, Brooks made a very good point by telling people to evaluate it on its own merit.  I knew there was a very real chance that even though this movie was not going to be the book brought to life, it could still be a pretty good story in its own right.  And so with that thought in mind, I went forth and saw World War Z.

As it turns out, World War Z is a pretty solid action flick.  It is most definitely not the book, but that is okay. A few elements from the book were introduced to give the movie a similar feel, but I don’t really think those were necessary.  The main character Gerry Lane, played by Brad Pitt, is a former UN investigator who is trying to figure out how and where the “zombie” plague began in exchange for his family’s safety onboard a US Navy ship.  I use quotes for “zombie” because the characters in the movie, like those in the book, acknowledge how ridiculous mythical zombies are and use the word only to describe the virus in terms that are easily understandable.  Lane’s search takes him on an impressive tour of much of the globe, hitting South Korea, Israel, Wales, and Nova Scotia. Viewers are treated to some stupendous aerial and wide angle shots of the surrounding scenery (albeit, usually covered with the stumbling infected).  Interspersed among these great shots are some pretty standard, though well-crafted, action sequences.  Since this is a zombie movie, there are plenty of escape scenes and crowd chases, but none of these feel tired or played out, as can often be the case in this genre.   I really appreciated the fact that the film got off to a quick start, giving a brief introduction to the characters and then rolling right into the action.  I absolutely hate when a movie takes forty-five minutes to get finally get to the real heart of the plot and then rushes through it to get to some massive climax.

Often times what makes or breaks a movie like this is the acting.  Aside from Pitt, there weren’t any other big name actors I recognized, but everyone gave a consistent performance across the board.  A big film with plenty of money to spend on effects rarely fails because of the visuals, and a big name, leading actor can only lift the movie so much, so it comes down to the supporting cast to either keep the film afloat, or torpedo it.  The only two really standout performances were by actors playing zombies towards the conclusion.  Both play mindless, spastic undead wonderfully, and give them disturbed personalities of their own.  From bugged-eyed head banging to chattering teeth and dog-like sniffing, they make it truly believable that these creatures, though once human, are now something entirely different.

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Whenever Brad Pitt starts running around with the supporting cast, bad things are about to happen.

There are some things that were included that I could have really done without.  First on that list, and probably the ones I find most annoying, are the quick cuts through file footage of riots, wars, natural disasters and the like that start off the movie; and the similarly cut, faux news reports of people fighting back and receiving aid that wraps up the film.  This has been done so many times it honestly makes me want to hurl.  I get what the filmmakers are trying to accomplish but it is cliché and the time for new material has come.  I was also turned off by how fast those who had been bitten turned into zombies.  I think that much of the terror and suspense of a zombie film comes from the impending transformation.  Every time somebody gets bitten it is understood that before long they will be joining the ranks of the undead, but that it will be a slow and horrifying process. Just thinking about it makes the skin crawl.  In World War Z, the whole process from bite to full on zombie takes ten to twelve second.  The virus acts unrealistically rapidly, even faster than almost any kind of venom, poison or nerve agent in real life.

This removes almost any believability from the transformation which doesn’t have much to start with.  My final complaint about the movie concerns the PG-13 rating.  I have nothing against the film having a PG-13 rating, but in order to get this rating, the film makers seriously cut back the on-screen violence.  This led to a few shots that reminded me of R movies that have been cut so they could be shown on cable. What is happening just off screen is obvious and the attempts to avoid showing it just seem awkward.

The movie ends as many zombie movies end:  open to glimmers of hope.  I have yet to hear of a World War Z sequel and while there is room for it if they’d like to do one, the fact that the film was wrapped up enough to stand on its own pleased me.  While World War Z may not be rated among 2013’s greatest movies, it was certainly a strong addition to a genre that often fails to change or adapt and frequently feels played out. There is a real chance that diehard fans of the book will be disappointed if they are unwilling to take the advice of author Max Brooks and judge the movie on its own merits.  As for the rest of us, it’s worth checking out.  World War Z has earned itself a solid 3 Death Stars.

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PS,

While this ending sounds pretty Badass, I’m quite happy with the one that made it into the film.

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Editorial | Review: Man of Steel

WARNING: THIS REVIEW CONTAINS SPOILERS

Overall, I loved Man of Steel.  The visuals were stunning and the sound enhanced the overall feel.  It was nice to go to a movie and not be distracted by sound effects.  I hope that as a genre, comic book movies are moving past the era of ear shattering explosions and crashes.  Don’t get me wrong, I want to hear what is happening on the screen, but I like my eardrums intact.

Unlike others that have seen the movie, I did not have a problem with the final plot “twist.”  As a moviegoer, I found Superman’s decision to kill Zod quite satisfying, considering the fact that the villain had just destroyed an entire city and plotted to wipe out humanity.  The heavy, audible snap of Zod’s neck was a nice touch.

THINGS THAT MADE ME HAPPY BECAUSE THEY WERE MISSING:
  • That bizarre curl on his forehead
  • Crazy outfits and hair on the Kryptonians
  • “Truth, Justice, and the American way.”  [It’s time to retire that phrase]
THINGS THAT MADE ME HAPPY BECAUSE THEY EXISTED:
  • Jor-El.  Wow.  I was blown away.  Did NOT expect Russell Crowe to pull that one off.
  • Slightly crooked teeth and chest hair on Superman [He may be the perfect humanoid, but his physique is not humanly impossible—thank goodness!]
  • A haphazard ponytail with the ponytail holder showing on Lois Lane in the desert!!  This felt so natural and realistic.
  • FLAGS EVERYWHERE!!!!  It’s been a long time since I saw a movie that felt so patriotic.
  • Superman: “I grew up in Kansas.  I’m as American as they come.” [I felt this was a fitting adjustment to his normal catchphrase, see above]
MOMENTS THAT I LOVED:
  • Faora: “Is that what you want me to tell General Zod?  That you are uncooperative?”
    Col. Nathan Hardy: “I don’t care what you tell him.”
  • Superman destroys the surveillance drone, because he’s 100% American.  [I may or may not have fallen in love with him at that moment]
  • Gen. Swanwick: “Captain, why are you smiling?”
    Captain: “I just think he’s kinda hot.”
  • Jor-El: “My son is twice the man you were.”  [According to his DNA structure, isn’t he millions and millions the man Zod is?]
    jor el
PLOT POINTS THAT MADE NO SENSE:
  • Zod declares that either Superman dies or he dies… and then proceeds to remove his greatest strategic advantage by taking off his armor
  • Lois Lane is now one of two people responsible for dropping the “bomb” that will save all humanity.  [Really?!?!  We’re all ok with having a reporter completing a military operation???]
OTHER RANDOM THINGS:
  • Holy product placement, Superman!!!!  I saw Nikon, Ihop, Dodge, Sears, 7-Eleven, U-haul, and the Royals… it’s a drinking game just waiting to be played.
  • “You know what they say, it’s all downhill after the first kiss.”  [Really?  They say that? Pretty sure I’ve never heard that ever.]
  • First moments with both fathers felt campy and forced (Truck bed with Kevin Costner after the bus incident and on the spaceship with Jor-El telling him his history).
  • Also the history sequence was weird and included things that happened at Jor-El’s death.  How did it get programmed onto the drive?
  • The spaceship design was disappointing.  My guess is that artists are trying to make them look like they are of elemental alloys not found on Earth, meaning they must be denser than anything here, but they just look like they’re carved of stone.  There are a million geniuses in Hollywood; surely SOMEONE can come up with a new design.
  • I literally wrote down, “Oh god the monologue!!” at one point when Faora was destroying the Ihop.  It was just a series of grandiose, pathetic one-liners about how weak Superman was [uh, really?] and how they were going to kill everyone he loved, repeated over and over with increasing volume and intensity.
CASTING COMMENTS:
  • I adored Russell Crowe as Jor-El.  He stole every scene he was in.  I was surprised that I could not take my eyes off him [and I’m not a huge Crowe fan in general].
  • Also, Diane Lane did a phenomenal job as Martha Kent.  So often the mothers (or aunts, in Spidey’s case) of super heroes come across as overprotective or a little weak.  Not so.  She showed her own inner steel, facing down Zod and planning to rebuild the Kent home.
  • Kevin Costner as Jonathan Kent was only slightly overshadowed by his wife.  After the first somewhat awkward scene with his son, he really shone as a kind, gentle father figure.
  • Henry Cavill himself did a great job as the title character.  He was tall, broad-shouldered, cleft-chinned, and blue-eyed, but I didn’t get the “pretty boy” feeling that I usually do from Superman actors—perhaps it because the forehead curl was gone.
  • Amy Adams was the worst casting call.  I don’t think she was completely awful, but she did not embody Lois Lane in any way.  She made silly decisions, and put herself in harm’s way, not because she could handle it, but because she appears to be too dumb to know any better.  Physically she didn’t fit the part either.  Her face was simply not the full, happy face of Superman’s lady-love.  [And her hair was so flat!!!  Someone grab her a can of mousse STAT!!!]

Considering that I just sat through another 2 ½ hour long Superman origin story…  I loved this movie, and I cannot wait to see the next movie from Zack Snyder.   Four and a half Death Stars from me for this one!

4.5 Death Stars

FINAL THOUGHT:  DID ANYONE ELSE SEE THE SIGN FOR LEXCORP IN ONE OF THE NYC FLYOVERS?????????? 😀 😀 😀

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