Category Archives: Movie Reviews

Review: Dark Star

DarkStar

“…instead of the most impressive student film ever made, we had the least impressive professional film ever made”. This is how writer Dan O’Bannon described Dark Star, a zany space adventure that is far more influential to both film makers and the movie going public than most people are aware. The plot follows the crew of the deep space scout ship Dark Star as they travel the galaxy looking for unstable planets to demolish. As they continue their travels, their ship is falling apart around them, and due to their near light speed transits only three years has passed for them.

This is one of my favorite B movies, hands down. It hits me in all the right places, from campy humor to science fiction adventure. It also tickles my geek fancy because so many people who became famous later were involved with this movie early in their career. There is lots of geek trivia to be found in this film. Although it was a student film that was expanded into a full length feature, as a B movie, the effects, writing and acting are really of a higher than expected quality.

Dark Star was a stepping stone in the career of one of Hollywood’s most prolific, though maybe not best, directors. Originally, it was the master thesis for John Carpenter, later known for movies such as Halloween and Escape from New York. This movie really set the tone for the B movies for which Carpenter would become known and established a higher bar when it came to quality of B movies in the 70’s.  Movies don’t necessarily have to be good to have an impact.  Low budget films are often the perfect place for new talent to make their name.

By today’s standards, Dark Star’s effects are unimpressive and beyond antiquated, but it was released in 1974, three years before Star Wars was released and changed the special effects game. While the movie obviously produced by people who were just starting out in their field of, the effects are campy without being over the top or just plain bad.  Rather than try to be overly ambitious, the movie creators chose to stick with simple ones that could be pulled off with relative ease. Many of these effects were designed by Ron Cobb who would later gain notoriety for his work as a conceptual designer on many blockbuster films such as Star Wars, The Abyss, and of course Alien.

Dark Star is the first film written by Dan O’Bannon, who would later go on to write Alien and Return of the Living Dead (the first movie in which zombies crave brains). The characters are reasonably well developed, especially O’Bannon’s own character of Pinback.  As it turns out, Pinback isn’t actually Pinback.  Instead he is Fuel Specialist Bill Frugge who was wearing Pinback’s spacesuit after the real Pinback committed suicide. When it came time for launch Frugge couldn’t figure out how to work the spacesuit’s radio to inform people that he wasn’t Pinback so he got shipped off instead.  Being out of place, Pinback provides an amusing commentary on events and a significant lack of professionalism.

Dan O'Bannon's Pinback

Dan O’Bannon’s Pinback

Dark Star also provides a believable look into what life would be like for a crew stuck on a small spaceship for three years.  The ship is falling apart, crew members have died, and those that remain have to stave off boredom and attempt to maintain their sanity.  One crew member spends all his time in an observation dome look out at the stars and Pinback himself has adopted a pet alien.

The alien is played by a painted beach ball with rubber monster claws for feet. The seams of the beach ball are even still visible underneath the paint. Despite this, the alien is still one of the best elements of this movie.  The scenes in which Pinback chases the alien through the ventilation system later became the inspiration for Alien.  (Dark Star is basically the story of truck drivers in space as a dark comedy, whereas Alien makes that same idea into a beautiful horror film.)  So while the beach ball alien bears no resemblance to the Xenomorph, it is, in fact, its early ancestor.

If this cost more than $10 I'd be very surprised.

If this cost more than $10 I’d be very surprised.

There is very little about this film that I don’t enjoy.  However, there are several times where the dialogue is too quiet because of that what is going on in the scene becomes lost. Since the plot is pretty thin that start this only serves to add confusion. The space suits are another complaint of mine. Most of the suit is fine—especially for low budget science fiction—but the chest pieces on both space suits are baking pans. I’m not joking here. One is most definitely a muffin pan and the other is a deep metal baking pan with an air filter attached to it. I know these guys were working with a limited budget, but have to believe that they could have scraped together an extra 20 bucks for some kind of busted electronics they could have used instead of such obviously recognizable household items.

Tell me that isn't a muffin pan.

Tell me that isn’t a muffin pan.

Dark Star is a B movie to be sure, but it is one of the truly outstanding ones. The number of people who got their starts on this movie and the other movies it has spawned or been referenced by gives this movie a longevity that would not be expected of what is essentially an overgrown student film. With everything that Dark Star has to offer, I give it 4.5 Death Stars.

4.5 Death Stars

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Editorial | Review: The Wolverine

While the fearless leader of Therefore I Geek has pretty much given a flawless review of The Wolverine, there are some things I wanted to point out in the movie.

First of all, I must say that I have always been a big fan of the star-crossed love story of Jean Grey and Wolverine. Jean may have loved Scott Sommers, but she shared a special part of her heart, and a psychological connection that transcended even her death, with Logan. While her appearance in The Wolverine might have been confusing to someone new to the X-Men movies, it resonated with die-hard fans, I think.

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However, having said how much I enjoyed seen Jean again, I must also point out that Mariko is, to paraphrase one of the above mentioned diehard fans, “Wolverine’s greatest love.” It seems like an odd decision to lessen the impact of her arrival on the Wolverine movie timeline by continuing to show Logan’s flashbacks to his deceased flame whose consciousness may or may not still be around.

Speaking of Mariko, a study of Wolverine’s behavior would seem to show that, given a choice of two attractive Japanese girls, he would choose to love the bad ass one, not the one that didn’t know how to fend for herself.

Finally, I would like to point out that superheating a blade does not increase its cutting power. In fact, if adamantium were heated to the point that it could cut through adamantium, it would be melting on itself. Fail.

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Overall, I walked out of the theater feeling unimpressed. These plot points coupled with a ridiculous amount of handcam for action sequences, and an overly dark palette of colors force me to give this move just three out of five Death Stars.

3 Death Stars

[I DID however squeal ever so slightly over the X-Men: Days of Future Past trailer at the beginning of the movie. Well done, movie creators!]

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Review: The Wolverine

the_wolverine_teaser_one-sheet

“I’m Wolverine. I’m the best at what I do, but what I do isn’t very nice”.  Ok, so that quote isn’t in The Wolverine, but it has always been true.  This movie is no exception.  The Wolverine provides plenty of high energy action as well as some nice quiet moments which are used to explore the thoughts going on inside Logan’s head.  All said and done this was a fun summer action movie, but while certainly better than X-Men Origins: Wolverine there was still some room for improvement.

Prior to seeing the film on Friday night, I had intentionally avoided reading or watching almost anything about the film as much as possible.  While parts of X-Men Origins: Wolverine were good, overall I was not impressed and I wanted to come into this film with as clean a slate as I could.  This meant that until about fifteen minutes into the movie I wasn’t quite sure where in the X-Men film timeline this film took place.  This is not necessarily a bad thing, but I had assumed it would be a direct sequel to the first Wolverine movie.  Instead it takes place sometime after the events of X-Men: The Last Stand.

After an opening flashback sequence, we find Logan living on the fringes of society, sleeping in the woods, haunted by nightmares of things he’s done.  A quick few scenes occur in Wolverine’s native Canada and then viewers are off to Japan, where the real story begins.  This story taps into material from the Frank Miller Wolverine mini-series as well as the first story arc of the Wolverine on-going series that followed.

The first thing I’d like to mention is that they fixed the biggest problem I had with the last movie:  the CGI claws. For whatever reason, in several scenes of the previous Wolverine movie, the CGI claws look incredibly low budget and just plain bad.  That was not the case this time around. I don’t know if it was due to better CGI or the possible increased use of physical claws, but it did the trick.

I had no issue with the plot.  I have only a passing knowledge of this particular portion of Wolverine comics, so the movie seemed to line up well enough with what I already knew.

Hugh Jackman’s portrayal of Wolverine is still fantastic.  He has a great understanding of the character and it appears that he truly enjoys putting on the claws and sideburns to become Wolverine.

Okamoto-Mariko

I think it’s a pretty good fit.

Playing Wolverine’s love interest, Mariko, was new comer Tao Okamoto.  I liked her performance, but it did seem as though she is new to film acting.  With a bit more time and experience I think she could do some interesting things.

Fellow model-turned-actress Rila Fukushima served as a sidekick of sorts to Wolverine and served well enough in the role, though her English was a bit choppy and that wore on me after a while.  Several of the other cast members looked familiar to me, but I couldn’t place them and had to look them up on IMDB.  Mariko’s father, Shingen, was played by Hiroyuki Sanada, who I knew as Kaneda in Sunshine, and Yashida, played by Hal Yamanouchi, had a small role in 2004’s The Life Aquatic with Steve Zissou.

The phrase “big superhero movie” implies several things, chief among which is action. The Wolverine delivers on the action pretty consistently though the movie.  All actions movies have their peaks and valleys, but this one seemed to have many more of both. Shorter, more frequent periods of calm were punctuated by action sequences of varying length. Since the movie was rated PG-13, the amount of violence that could be shown was minimal, but it was still obvious that Wolverine is still the best at what he does—slashing and stabbing people.

Unfortunately, the action scenes lead me into what I didn’t like about the movie.  I cannot stand shaky camera work, and many of the action sequences were shot using this terrible technique. I understand that the idea is to try and convey a sense of movement and the chaos of a fight, but instead it just causes viewers confusion and really bad visuals. Some of these scenes would look so much better they didn’t feel like a Parkinson’s patient was holding the camera. On a positive note, the panoramic scenery shots were wonderful.  They really make me want to visit Australia, where the film was shot.

My other biggest complaint has to do with the considerable amount of prior knowledge necessary to really enjoy most of this film.  At various points in the movie, Logan dreams about Jean Grey.  Although I have always loved her character, her inclusion without any explanation made for some confusion.  I also felt that Jean’s presence in this movie was unnecessary. It’s not that I didn’t like the actress who played her or how they used her; I just think the movie would have been perfectly fine without her in it.

I would also like to point out that there were far too many secondary villains.  There were 5 different characters that I would classify as secondary villains, in addition to the final bad guy, the Silver Samurai. The only saving grace in this is that unlike Iron Man 2, which suffered from too many villains with separate plots running at the same time, all of Wolverine’s foes tied into a single interwoven plot.  viperAlso, the use of Viper as a secondary villain confused even me. I have a fair amount of Marvel Comics knowledge and I had to look her up when I got home. I’m sure there was another more prominent villain that they could have used.  I’m also unsure of her previous connections to Wolverine in the comic universe.

In both the comic and the movie universes Wolverine is a major fan favorite, and yet for some reason, these movies keep falling short of achieving their full potential. I have heard nothing about a potential sequel, and this weekend’s box office take makes me doubt the likelihood a bit, but the increase in quality makes me believe that a third movie could really be something special.  While I liked the movie, I wasn’t wowed by it and there were some considerable flaws that detracted from the overall enjoyment of the movie. Moreover, the amount of background knowledge needed makes this a difficult jumping on point for new movie goers.  I give The Wolverine 3 out of 5 Death Stars.

3 Death Stars

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Editorial | Review: Much Ado About Nothing

Angel fans, rejoice!!  Fred and Wesley have finally gotten their happily ever after!!!  Ok, not really—but I still felt a little twinge of rightness in the casting of Benedick and Beatrice in Joss Whedon’s Much Ado About Nothing.  Here’s the good, the bad, and the ugly of this film according to me.

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Together at last!

The first scene made me instantly cringe and prepare for a long hour and a half—awkward speech and several actors deliberately not looking at the camera gave me that “indie” feeling—but the instant that Alexis Denisoff (Benedick) opened his mouth—the second scene he was in, for those counting—all anxiety fled.  This man was made for the boards!  His delivery was spot on, and his facial expressions and body language completely clarified any contextual issues in a form of English that is five centuries old.

Amy Acker sparkled as the witty, aggressive Beatrice.  It is a character that can easily appear abrasive, but that is not a word that can ever be applied to Acker.  The dynamic between these two characters completely overtakes the primary plotline, which is the rocky road to marriage for Claudio and Hero.

Whedon, unable to leave his mark on the script, instead brands his work with brilliant direction and non-speaking asides.  Notably, Beatrice mocks Benedick during an interlude by a fire pit, and repeatedly brushes away the amorous advances of the man sitting next to her with barely a thought; Leonato, worn out by a two day bender, falls asleep in the middle of Claudio’s formal request for his daughter’s hand, and is sharply woken by Beatrice; the watchmen, recast as Don Pedro’s private security, lock their keys in their car and become frantic.  Another brilliant move was in casting Conrade, henchman of Don John, as a woman.  This allowed for an interesting twist in their relationship (pun entirely intended), and made Don John appear even more depraved.

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Because Nathan Fillion.

I occasionally felt that the dialogue could have been enunciated more clearly—several lines were lost in conversation—but considering how meticulous the Bard was about infusing his plays with tongue-twisters and puns, this is understandable.

The fact that the entire film is clearly a summer party and that it was filmed in the director’s own house, gives it a feeling of intimacy that is unusual for Shakespeare.  Ultimately, I left the theater feeling not as though I had just watched a Shakespearean play, but that I had just watched a group of funny, witty people carry out a party weekend in Elizabethan English.  Very funny, very witty people—and I want so badly to be friends with all of them.  Much Ado About Nothing is sweet, sexy, subtle, and smart. I highly recommend it.

“The play’s the thing…”  Yes it is, my dear Joss, yes it is.

Four out of five death stars.

4 Death Stars

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