Category Archives: Comics

4th of July Giveaway

Ladies and Gentlemen, we interrupt your regularly scheduled Thursday post for an important 4th of July Giveaway! Now you too can look like a superhero while BBQing over these summer weekends. And not just any superhero but the one most fitting Independence Day, Captain America.

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To enter, you must be a fan of our Facebook page (so like us if you haven’t already) and the Facebook post any time all weekend long. If you like any of our posts here on the blog, you will get an extra chance to win. A winner will be drawn at random on Monday and contacted via Facebook message. Don’t forget to make your share public so we can see you and make sure your entry gets counted. Head on over to our Facebook page and enter now!

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Being Wrong Never Felt So Good

Now, I don’t know about you, but I love being right.  I love being the person who has the correct answer; the one who picks winners.  (I still can’t figure out sports though, I’ve gotten every World Cup Final wrong.)  Even when it comes to comics I love to be the person who knows what plotline will work, which author will do a great job on what books, and even which books will succeed.  Having said that, I have never before been so happy to be completely and utterly wrong.

Back in 2007, as a comic book rookie, I was wandering through poorly lit aisles full of sweating, questionable smelling geeks at a Big Apple Con when I came across a booth manned by a creator proudly selling his new book.  I stopped for a minute to look at what he had to offer.  The writer was so excited that energy radiated from him as he talked about his creation.  He told me with great enthusiasm that his first couple issues had almost sold out and he was getting ready for another printing.  The book looked all right, but I wasn’t particularly impressed and didn’t think it would go very far.  As I walked away I filed the name of the book in the back of my mind along with other useless knowledge that’s stored away, waiting for the right moment to whip it out and show off my vast knowledge.  That creator was Brian Clevinger and the book was Atomic Robo.

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Flash forward several years to a moment in one of my local comic book shops as I happened across several issues of Atomic Robo.  Like a good little brainiac, I recalled the info I had stored away for just such an occasion, and investigated to find out what was going on with this book I had written off so readily.  As it turned out, not only had the book survived, it had excelled, earning a highly coveted Eisner nomination in 2008. While not a mainstream book, Atomic Robo had managed to carve out a considerable fan following.

I wasn’t quite ready to admit I was wrong, so I waited a few more months, but curiosity finally got the better of me, and I decided to check it out.  Now I wish I had read this sooner.  Atomic Robo feels like a cross between the humor, adventure, and energy of Indiana Jones and the simple art style of Hellboy.

The first volume, Atomic Robo and the Fighting Scientists of Tesladyne is one of the funniest books I’ve read in a very long time.  Throughout the book there is a wonderful sense of adventure.  The stories in this first volume loosely follow the same plot line, following Robo, a sentient robot built by Nicola Tesla, and several adventurer scientists from Tesladyne Industries as they combat giant ants, mobile pyramids with robot mummies, and other things far too weird for the US government to handle.  These stories provide a nice introduction to the world and main character.  Along the way, the story arc occasionally takes humorous side roads into adventures with mobile pyramids and ancient death rays.  My favorite story is the stand alone tale of how Robo receives a letter from the grandchild of one of his former WWII buddies who had died.  It is a touching story about how an immortal robot deals with outliving his friends.  What could otherwise be a tricky subject is told with grace and skill.  Then the story just moves on, as it should.  The book covers the first 6 issues of Atomic Robo and issues 1, 5 and 6 introduce a potential reoccurring villain in the amusingly stereotypical Nazi super-scientist Helsingard while issues 3 and 4 follow Robo to Egypt and a fabulous flashback to Robo’s “manned” mission to Mars.

Each story is complimented superbly by the art, which is wonderfully simple and uses a vivid color pallet, reminiscent of Mignola’s Hellboy issues.  Often, simple art styles run the risk of a lack of expression or emotion, but that is not the case with Scott Wegener’s art.  Despite lacking most human facial features, Robo is able to convey a full range of emotions, which is a serious credit to Wegener.

My only complaint with Atomic Robo and the Fighting Scientists of Tesladyne is that some of the action sequences were a little vague, sometimes making the progression from one panel to the next unclear.  This is such a minor issue that it does not take away from the overall enjoyment of the book.

So far Atomic Robo has completely surprised me in the best way possible, and I have to give it four and a half out of five stars.  The first volume was funny and adventurous, and with 6 more volumes published so far, I cannot wait to jump back into this world and see what is in store for Robo and the gang at Tesladyne.

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Filed under Andrew Hales, Comic Reviews, Comics

DC Does it Right

DC Comics helps out a children’s hospital in Brazil. This is what superheroes are really about. It’s heartwarming to see a company look after people like its characters do!

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by | June 5, 2013 · 9:18 pm

Going Digital

Completely to my surprise, I’ve become a huge fan of digital comics.  There, I’ve said it, and you can’t make me take it back.  I didn’t start off as a fan, but like a new convert learning about Scientology, I didn’t realize it until I was eyeballs deep in it.  For months I had been buying comics that came with free digital copies but I didn’t do anything with them because I didn’t have a device that would allow me to read them properly.  Sure I could have used my phone, but it’s less than satisfying.  That all changed when I received an iPad mini for Christmas, and I have to say that I love this little device.  It is small enough to be truly portable but the screen is big enough that it doesn’t feel like I’m trying to look at something on my phone.  Also there are lots of great apps, some of the best of which are the various apps from each of the major comic book publishers.  Suddenly, I discovered that I now have a device that can make use of all those free digital copy codes that I hadn’t bothered to do anything with.  Thankfully, they were attached to the comic itself; otherwise I would have probably lost them.

The Marvel codes are 12 character alphanumeric codes that must be entered into a website in order to get the digital copies, which is a bit annoying, especially considering that I was new to digital comics and had a considerable backlog.  However, a few hours and about 150 codes later, I was ready to start enjoying my digital comic collection, and man did I ever enjoy them.  Over the course of a Christmas vacation I was able to catch up on months of comics without having to bring a short box around with me or risk damage to my physical copies by shoving them into a backpack.  The image quality is just plain awesome.  It would be easy to assume that reading comic graphics on a digital screen would be a strain but so far all the comics I’ve seen have been excellent.  Although I have glasses and all around pretty crappy vision, I very rarely have an issue reading a page of comics on the screen.  On the rare times I do, I can just double tap the panel I’m having issue with and it automatically zooms in on the panel. It even works for two page spreads by focusing on small areas at a time.  All of the major publisher apps are powered by Comixology, which means that they function in nearly the same way, making it as easy to switch between publishers without too much culture shock.

Another reason I am a big fan of digital comics is that I can find and read many back issues that I wouldn’t easily have access to otherwise. All of the publishers are working to fill in the back catalog of old comics, and while their complete libraries aren’t available yet, quite a few substantial runs are. One of my first strictly digital purchases was Action Comics #1 and Detective Comics #27, ultra rare books that I could never possible hope to hold in my hands.  Now I’ve got them, in digital form.
I also use the digital format to follow and read books that I’ve heard good things about but was unaware of at the time they were released or books I could not justify buying at full price. New books online are priced the same as the physical ones—probably to keep retailers from rioting—but older books are often discounted, making it worthwhile if you don’t mind being a couple months behind reading the book. Some publishers are also looking for new ways expand their digital footprint with things like digital first content or digital codes for other products like trade paperbacks.

Although all digital comics so far use the same developer, Marvel has clearly taken the lead in this digital frontier.  They seem to really be pushing people into the digital realm any way they can.   Many of their titles come with free digital copies.  However, their method of pushing digital copies does have its flaws. The digital copy that comes with the physical comics isn’t really free, since they charge a dollar more for the books that have them, and there isn’t an option to buy the book without the code.  The store attached to the Marvel app runs 99₵ sales every Monday and sometimes has other specials to celebrate comic or real life events.  I have gotten some great comic runs out of these sales, which made me very happy (although my wallet less so).  While other publishers have sales, they are less frequent and often a bit lack luster.  Another really cool thing is that each time a Marvel code is redeemed, the store that sold the book gets a small credit, provided the purchaser specifies their retailer from the provided list.  It may not be much per book, those little bits will add up, helping out local comic stores.

On the other hand, DC prints two versions of the book, one with a code and one without, and the book with the code comes in in a polybag.  Unfortunately, they don’t really explain how their system works.  Until a month ago, I had no idea that’s why they had polybag versions of comics.  While I personally am willing to pay the extra dollar for the digital copy, I can understand why not everyone wants to pay extra for something they aren’t going to use.

As with all new things, there are some downsides. Pricing at times can be inconsistent. Captain America Vol. 7 #1-5 are still $4.00 each despite being up to six months old now even though other titles from the same publisher are down to $1.99 after only a month or two.

Unfortunately, the support is sometimes questionable.  On a couple of occasions I have not been able to redeem codes for various reasons and have submitted help tickets without a response from the publisher.  Other times after returning home from my local comic book store, I’ve opened a book only to find that there isn’t a code inside.  At that point I’m left with the choice to either pay for the comic again, or to do without the digital version.  I’m hoping they will get some of this sorted out in the near future.

I am looking forward to seeing where this interesting new realm of comics is going to take us.  For all my love of digital comics, I will always enjoy having the physical book in my hands, even if I don’t necessarily read it in that form.  For some people, though, this is exactly what they need to keep reading their comics, without cluttering up their house.

The best part is that by expanding how comics are published, they can hopefully spread the joy of comic reading to even more people. With access to comics in all forms increasing and the popularity of comic characters growing, thanks to all the new movies that have come out in recent years, we are hopefully close to a new and wonderful comic book resurgence.

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Filed under Andrew Hales, Comics