Category Archives: Andrew Hales

Review: Much Ado About Nothing

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We all know I’m a comic geek.  In addition to this however, I’m also a fan of Shakespeare.  I started reading the Bard’s works in fifth grade starting with Hamlet and Macbeth.  As I’ve gotten older, I’ve also come to really love modern interpretations of the plays.  Among my favorites are Scotland, PA and 10 Things I Hate About You, and now I’m quite happy to add Joss Whedon’s Much Ado About Nothing to that list.

Probably the most distinctive thing about a Joss Whedon movie is the script.  Anyone who is at all familiar with his work knows that his writing has a very specific feel that is immediately identifiable.  Joss’s choice to use the traditional Shakespearean script instantly removes his most notable trademark and raises a self-imposed challenge —one that Joss hurdles almost effortlessly.  Instead of adding his quirky sense of humor to the back and forth banter of the characters, Whedon leaves dialogue to the master and inserts himself into the direction of characters and the addition of small, non-speaking scenes.

It is obvious in several scenes that Whedon is providing very specific physical directions to actors to make best use of the existing dialogue and to enhance the scene through their performance.  Although I find Shakespearean comedies funny on their own, these new directions that Joss provides take this to a whole new level.

During one particular scene Benedick is listening in on a conversation between several other characters.  While it would be simple enough to have him hide behind a bush or something similar, Joss instead has Benedick doing all kinds of ridiculous things to hide including lying flat on his stomach in the grass while trying to use a rather inadequate tree branch as cover for his face. The other characters are obviously aware of what is going on, but ignore him and continue with their conversation. I have no idea how any of these actors were able to keep a straight face while these crazy antics were going on just behind them.

One of the non-speaking scenes that added to the film takes place between two of the security guards. Thanks to the many conversations we’ve witnessed between them, we are already well aware that they are not overly gifted in matters of the mind, however to further reinforce this impression, this little scene shows the two of them searching for their keys, only to realize they locked them in the car.  This scene is completely unnecessary but it adds so much to the characters. It allows for the quick glance deeper that Whedon is known for, without saying a word.

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Nathan Fillion would like it known that he is an ass.

I would be remiss if I failed to mention the casting of this film.  Made up of many Whedon alumni, the cast works just as it should.  Unlike Shakespearean tragedies, the comedies feel more like an ensemble.  Despite having plenty of recognizable faces in the cast, there are no divas, and no true standouts.  This is not to say that none of the cast stood out, but more to say that the cast as a whole was amazing.  While I have no doubts there were several outtakes due to dialogue, I can’t remember any points in the film where the sometimes difficult Shakespearean English tripped up the actors.  It was all delivered cleanly and in a manner which helped make the often muddy much clearer.

I think the most telling thing for me is that I have almost nothing negative to say about this film.  Although I did have a moment of trepidation at the very beginning due to the seemingly stereotypical “indie film” opening scene, this was cleared up within another minute.  There were one or two times that I didn’t care much for the way a particular camera angle was used or that the music may have been a bit too menacing, but this was all so minor that it didn’t take away from the film as a whole.  Let’s be honest, if all I can find to complain about is a couple of camera shots and a minute or so of music, this is definitely a home run and damn near a grand slam.  Whether you are a fan of the Bard, of Mr. Whedon, or both, this film is definitely worth checking out. I already have plans to add it to my Blu-Ray collection.

5/5 Death Stars

5/5 Death Stars

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Review: The Toxic Avenger

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Of all the companies that make B list movies, none have quite the following that Troma has. Their name has become synonymous with campy, hypersexual, and blatantly graphic (though unrealistically) violent films. While they are also known for such “classics” as Nuke ‘Em High and Sgt. Kabukiman, NYPD, the ultimate Troma film has to be The Toxic Avenger.

What makes The Toxie Avenger so great is that it came out in the 80’s, at a time when the genre of B movies had declined to an all-time low. By the end of the 70’s many of the higher end B movies were being made into A movies with bigger budgets and more well-known casts. What was left was dredged up from the bottom of the post-censorship rules barrel. These films were increasingly cheap, violent, and just plain bad. The Toxic Avenger came out right in the middle of this decline, as the epitome of what the genre could be, part bad comedy and part low budget horror film.

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A weakling, weighing 98 lbs…

The plot of the movie begins with Mervin, the mop boy at the Tromaville Health Club, enduring considerable amounts of torment from a homicidal twenty-something with ‘Roid Rage named Bozo.  He is tossed out a window where he lands in vats of toxic waste and is transformed into the horrifically mutated Toxic Avenger (lovingly referred to by fans as “Toxie”).

After his terrifying transformation, Toxie begins to hunt down all of the town’s evildoers, which obviously includes his former tormentor, who has taken to running down children in the street in his free time.  As Toxie works his way through the series of evil people he wants to take out, he finds rather creative ways to kill off the dredges of society.  Three thugs involved in a robbery meet particularly disturbing ends involving a milkshake mixer, a deep fryer, and a pizza oven respectively.  Of course, since every movie has to have a romantic side, Toxie has a love interest who is blind (something like Alicia Masters in Fantastic Four.).

This had to hurt, just a little.

This had to hurt, just a little.

For a low budget film, this is pretty fabulous. It has all the things I want to see in a B movie from that time period. Despite their best efforts, the acting is terrible. In the fast food restaurant robbery scene, one robber tries so hard to look intense and intimidating that his body tenses and his eyes bulge almost out of his head. I was concerned he was going to have an aneurism! The primary antagonist, Bozo, suffers from what one can only assume are steroid induced mood swings that left me both stunned and laughing. I wish real steroid users were this amusing. Even Toxie is not immune to the bad acting plague going on in this movie. Melvin is barely able to open his eyes or deliver lines and after his transformation, Toxie’s voice is dubbed in so poorly that even fans of the terrible voice dubbing in Godzilla films would be appalled.

Complementing the terrible acting are the less than impressive sets. The love shack in which Toxie and his love interest set up looks like something made by kindergarteners with paper mache. Other sets look like someone dumped an office trash can in front of the wall of a sound stage in an attempt to depict a garbage strewn alley that falls more than a little short. Most trash filled alleys I’ve seen (and having lived in New York for several years, I’ve seen my fair share), are far from white drywall with crumpled paper and food wrappers lightly strewn about.

The fight scenes are a particular source of entertainment. Filled with terrible martial arts and quick cuts, in a vain attempt to portray action, these scenes had me almost in tears from laughter. Any time a gun goes off, blood squibs are used in a liberal fashion and to very little effect.

Eventually Toxie’s actions earn him the ire of the corrupt, local officials who want to see him taken down. The movie ends, as many movies of this genre do, with a big scene in which the army is called up and a mass of men in uniform with surplus equipment show up on scene.  By the end, Toxie resorts to using his hands to pull unidentifiable organs out of the town’s rather bloated mayor.

This goes bad, quickly.

This goes bad, quickly.

Toxie has over the top violence, a German scientist with an atrocious accent, one of the worst sex scenes I’ve ever witnessed(Watchmen is still worse), and a car chase with the crappiest cars they could find, all things adding to The Toxic Avenger’s imperfect perfection. The one thing I was truly impressed with was the amount of army surplus equipment they managed to scrape together. While some of the shots may have involved the same trucks driving past the camera more than once, there were also an old tank, several jeeps and trucks, and a whole mess of machine guns. For a movie of this caliber, it is quite a spread. I can’t think of a better choice for my introduction to Troma’s B movie library.

3/5 Death Stars

3 Death Stars

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Review: Queen and Country Definative Edition: Vol. 1

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Americans have a bizarre fascination with almost all things British. Maybe this comes from our history as formerly rebellious subjects of the Royal Majesty, or maybe it’s just because we think British people talk funny. Very near the top of British things we love is anything having to do with British spies. Americans have made twenty three James Bond films for crying out loud. If that’s not an obsession, I don’t know what is. In the realm of comics, the 007 role is filled by Queen and Country by Greg Rucka. While Bond shows the life of spies as glamorous (is there really a glamorous side of a spy’s life?), Queen and Country is closer to reality and is full of fantastic and intriguing details that make for a wonderful page turner.

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Sorry Sean, it’s just too good to be true.

Queen and Country is unlike most comics in several ways. Written in short arcs, each story is a stand-alone tale involving a particular mission undertaken by the MI-6 operatives Tom Wallace, Tara Chase, and Edward Kittering (called Minders 1-3 respectively) under the leadership of Director of Operations (D. Ops), Paul Crocker. Although Chase is the primary protagonist (even though she is Minder 2), the other Minders and D. Ops all get plenty of time in the spotlight and seem to hardly be secondary characters. Writer Greg Rucka very skillfully shows the difficulties these characters are forced to go through, both physically and mentally as they try to protect Great Britain from all of its foreign enemies while trying to maintain their humanity. The reality of the intelligence community is that it often stresses people beyond the limits of what most people can endure and then ask them to sacrifice the very things that make them able to cope with this stress. Rucka’s adroit use of these types of details make it easy to believe that he is telling true stories relayed into comic book form. Queen and Country provides an extraordinary look into the world of international espionage while still holding on to the human element in the lives of the Minders.

Queen and Country Definitive Edition: Vol. 1 consists of 3 stories, “Operation: Broken Ground,” “Operation: Morningstar,” and “Operation: Crystal Ball.”

“Operation: Broken Ground” deals with the assassination of a Russian arms dealer by Chase and the fallout afterwards. After a successful post-assassination escape, Chase must deal with Russian hit squads coming after her as well as the guilt she has from killing another human being (even if he did deserve it). I found starting off the series with a character study like this to be a rather daring choice. What makes it even better is that it is very well done. I found myself asking how I would respond if I were in the same situation.

Of the three stories in Volume 1, I was most amazed by “Operation: Morningstar,” which tells about how Minders 1 and 3 are trying to retrieve intelligence that had been obtained by a recently murdered journalist in Afghanistan. To an audience today this doesn’t seem to be all that out of the ordinary as Afghanistan has been a part of lives for the last twelve years. What makes this storyline so incredible is that was written and published pre-9/11. It is a spy story taking place in Taliban-controlled Afghanistan, and shows the terrible conditions and treatment by terrorists of the people living under their heel—and it was all written before September 11, 2001. The foresight revealed in this story is both stunning and rather unnerving. The story itself is well written and has a great sense of suspense and intrigue.

The final story, “Operation: Crystal Ball,” involves a defector trying to give details of a terror plot and the race to prevent the attack. The first issue of this story also shows us how the characters deal with the events of 9/11 and its impact on their field in particular.

The art for each of the individual arcs is pretty good. While frequently on the cartoonish side, the black and white illustrations rarely seem out of place and are typically very easy to follow even during action sequences with very little dialogue. The Definitive Edition also includes some great one page splashes from Tim Sale between issues. Something that is rather helpful to new readers is the character roster that is included before the start of each story arc. Since the art changes with every new story—and sometimes in the middle of a story—this roster is useful in helping readers identify characters.

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Tim Sale’s amazing depiction of Tara Chase.

These changes are my only real complaint. I would have liked to see a bit more consistency from arc to arc. This might be a result of reading all the stories in a combined format the way I did, but the wildly different styles, though all well done, made this feel much less cohesive. Using artists with similar styles would have provided a more unified feel to the whole collection.

After finishing Queen and Country Definitive Edition Vol. 1 all I wanted was more. I want more of these characters, more adventures and more political intrigue. I’ve already picked up the next volume and it is on the top of my reading stack. I would recommend this to anyone who is looking for a comic outside of the normal superhero genres or anyone who loves spies and political intrigue.

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New to Comics

Do you feel lonely?  Confused?  Are you desperately seeking direction?  You don’t have to be alone.  There are people out there who can help you through these dark times.  You may ask yourself, “How does he know?  What could he possibly know about what I’m going through?”  Well, my friends, the answer is simple.  I, too, was once brand new to comics.  I know what it’s like to not know what is good or bad, what should be essential reading, or even what I liked.  I’ve been through the darkness and I’m here to show you the light.

All kidding aside (well, almost all), getting into comics can be a daunting task, so I’m offering some helpful tips to make your introduction a little more enjoyable, and lot less scary.

First, do yourself a favor and do a little bit of thinking and research.  An hour or two on the internet can be more valuable than gold plated diamonds.  Yeah, it’s that good.  Start thinking about the things you like and the kind of stories you enjoy.  Are you a fan of an existing comic book franchise?  Do you like crime dramas on TV?  Science Fiction novels?  Old Western movies?  Zombies?  Vampires?  There are comics that cover all of these things, and even a few that cover more than one.

Did you enjoy any of the comic book movies from the recent frenzy?  It turns out that these comic book movies are based on actual comics.  Who would have thought?  There’s a good chance that if you liked the movie, you’ll like the comics as well.  It’s certainly a good place to start looking.  As for research:  once you’ve made a list of interests, do a couple Google searches for the items on your list.  Try adding comic to the end of each search term, such as “crime drama comic” or “science fiction comic.”  Be sure to get current information, as many of these comic genres have been around since the 1940’s, but after a few minutes of skimming through pages you will start to get an idea of what is out there.

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Based on a comic! Who knew!?

Another great resource is websites dedicated to comic books.  My personal favorite is iFanboy, because they do their best to keep things positive and they have a fantastic community of brains to pick (Mmmmmm, brains).  By all means, find a site that you like and see what it has to say.  Once you get a bit of a handle on your tastes and what you’re looking for, it’s a good idea to check out a few publisher websites.  Be careful!  These sites can be somewhat overwhelming (and sometimes load slower than frozen molasses).  Where their real strength lies, though, is in the small descriptions they provide for new, recent, and upcoming books.  This is useful in helping to narrowing down the comics you want to buy to just a few titles.  Also, they’ve got some great pictures, especially of the covers, which makes it easy to know what to look for.

If you’re lucky, you live in an area that has several comic book stores to choose from.  If this is the case, then I recommend looking up a few different stores within a reasonable distance from your home and head over to them.  If you need help finding stores, check out Comic Shop Locator.  It’s a pretty good site, though it’s not perfect.  Newer stores aren’t always on there.  I’d also recommend doing a Google search (the internet is useful for so much more than just porn) for comic stores in your area.  Between these two tools, you should be able to find a few that are close.  Grab the list you made earlier and take a trip to a few of them.

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This would not be my first choice. Or second or third.

Don’t be scared.  It can be intimidating, I know, but don’t worry about it.  You’re not making any kind of commitment by just walking in the door.  Get a feel for the place. Is it nice (clean, reasonably well organized, well lit, inviting, etc)?  Does it smell badly (unfortunately, I have said yes to this question far too many times)?  Does the store seem like a place you’d be willing to come back to on a regular basis? After your initial impressions, take a look around and then try talking to the staff. In my experiences, if the store is really a quality establishment, the staff is friendly and willing to help you out.  Although comic book stores are often run by the owners, they frequently have an additional staff member or two.  At some point, we have all been new to comics and they should understand this.  Look for friendly staff members, people who are willing and eager to talk to you about comics.

This is also the point where your research pays off.  One of the first questions they are likely to ask you is “Well, what kinds of things do you like?”  If you can give them those basic genres you came up with earlier that will help them point you in the right direction.  If you can also tell them “Hey, I was looking on the internet and Iron Man looked cool to me.  Do you have any new issues I can check out?” this will help them out quite a bit.  They can direct you to both the new Iron Man issues, and some other things that might be similar.  Take a quick glance through the book and see what you think about the art.  Remember to be careful with the books though.  Comic book collectors put a premium on the condition of the book and if the books are damaged, the retailer may have a hard time selling the book, which costs them money.

Once you find some books that strike your fancy, it’s time to buy them.  Unless the store specifically allows you to read the books there, it’s generally considered good etiquette not to stand there and read the whole book in the store.  Don’t feel the need to buy any more books than you can afford.  Comics can be an expensive hobby and retailers understand this.  While they certainly want to sell as much as they can, they also understand that people have budgets.  Pick up three or four books that appeal to you and take them home and read them.  If you don’t like them, or don’t like some of them, then you’ve only spent around twelve bucks so you haven’t lost much.  You can go in the next week with your likes and dislikes and talk to the folks in the comic book store and hopefully find something more to your liking.  Don’t try to dive in too deep until you’ve figured out what you like, and don’t be discouraged if it takes you a few trips to find something that you really like.  There is such a wide variety of comics available that there is bound to be one or more that are to your liking.  You may just need to have a little patience to find them.

Finally, if you didn’t like the store or had problems with the staff, don’t go back.  This is a business and if you’re unhappy with the service you’ve gotten you don’t have to patronize that store.  There are few things that motivate people to change their behavior better than good old fashioned American dollars.  If people don’t give the store their business, the owners will get the message or they will go out of business.  As harsh as that may sound, it’s good for the industry because it helps get rid of those bad stores that perpetuate negative stereotypes.  Besides, there are always other ways of getting your comics. If you’re fortunate to have other comic stores in your area, then go there.  If not, you can always try online services like Midtown Comics’ website or Discount Comic Book Service.  These are great alternatives for people who don’t have local comic stores or are surrounded by bad stores.

Comics can be an intimidating universe, filled with crazy stories and confusing histories, backstories, and alternative universes that span up to seventy five years.  However, they can also be an amazing source of fun and inventive stories. Don’t be afraid to jump in and get your feet wet.  Enjoy yourself.  As seriously as some people may take their comics, they’re still just a hobby. Despite what some people may want you to think, comics are meant to be fun, so ignore those people (because they’re wrong), and go read some comics.

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