Monthly Archives: July 2014

Editorial | Tips for Geeking on a Budget

Whether it is due to situational circumstances (i.e. being a college student) or just a personal preference, everyone likes to save money.  Let’s be honest, being a geek can get expensive.  Whether it is cosplay, shelf porn, comic book collecting, or hardcore video gaming, most geeky hobbies can quickly end up costing serious cash.  With this in mind, here is a list of Therefore I Geek’s favorite ways to save money.

10.)Avid video gamers know the drill already:  Steam sales are the way to go!  Steam is a gaming and digital distribution platform developed by Valve Corporation that has a little over 3,000 titles available and has blowout sales several times per year.  Although it is common knowledge that Steam’s biggest sales are in summer (June/July) and at the holidays (December/January), with a couple of smaller sales in the autumn and sometimes near Halloween, the exact sale dates are not released very long in advance.  The best advice would be to save a little extra right before these times to be prepared to stock up for the intervening months.2014-steam-summer-sale-day-2

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Filed under Editorial, Geek Life, Tracy Gronewold

Saturday Review: Death Sentence

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Imagine there were a disease that would kill its host in six months, guaranteed, but before it did the sick man could get any number of possible superpowers and those powers would continue to increase in intensity until shortly before the end. If you had that kind of power available to you, what would you do? That’s the question that Death Sentence, a new graphic novel by Monty Nero from Titan Comics,asks reads.

Death Sentence follows three very different characters, Monty, a narcissistic comedian, Weasel, a burned out, drug addicted, former rock star, and Verity, a young woman stuck in an art job she can’t stand. The only thing the group has in common, aside from the G+ virus, is that they are highly creative people. While Monty plunges into the depths of his narcissism, Weasel and Verity struggle to make use of their gifts, even as the virus heightens their creativity. While much of the plot is a bit farfetched, there are themes within the book that make it a worthwhile read. The frustration of Weasel and Verity is palpable. For someone with a creative gift, the most aggravating thing in the universe can be when he can’t make things come together the way he knows they should, which is a theme repeatedly shown in Death Sentence.  Throughout the entire book, Weasel is trying to write a new hit song, but he isn’t able to record anything with any value.

Monty’s story is an interesting exploration into what people are willing to do if they feel there are no consequences. Monty does whatever he wants because he feels he is entitled to do so and no one can stop him. The fact that he only has six months to live only drives his pursuits into darker places at near breakneck speeds. I was disappointed that Nero didn’t choose to follow up on some plot threads that were dropped towards the end of the book. I feel like they could have been interesting additions, though maybe they are part of some future project. If that’s the case, I’ll be patient.

Our introduction to Verity.

An introduction to Verity.

The art by Mike Dowling is solid. His style is animated, and seamlessly transitions from more abstract shots to very detailed up close panels. At no point did I have an issue following what was going on, and things flowed well from panel to panel. Dowling also makes effective use of color palates, changing them to suit the mood of the scene, but not so much that it was jarring or disruptive to the story.  Dowling does a good job of portraying all the ridiculous things that go on in this book without being overly obscene. Obviously there is quite a bit of adult content, but it never felt as though I were looking at animated porn. In fact it was clear that great care was taken to only show what needed to be shown and that the rest was implied. I also really enjoyed the portrayal of the drug aided creative surges that both Weasel and Verity experience. They were almost like acid trips, but far more productive and lacking the negative side effects.

Death Sentence isn’t a bad read, though in the end I was much more enthralled by the art than the story. The end of the book contains a commentary by Nero and Dowling that makes for an interesting read and provides a depth of insight that is hard to find elsewhere. Death Sentence goes on sale this Tuesday, July 22. 3/5 Death Stars

3 Death Stars

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Filed under Comic Reviews, Comics, Saturday Reviews

Around the Web July 18, 2014

Gail Simone, the outspoken writer of Batgirl has started a new Tumblr page dedicated to giving advice to people who want to get into the comics industry. Even though it just started the page already contains several good articles covering a wide variety of topics from experts. I’d once heard someone likening breaking into the comics industry to breaking out of jail, in that once someone accomplishes it, their route is closed up behind them. Hopefully this page will take away some the mystery and help some creative folks get into the industry.

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I’ve also heard other things compared to prison life, but they shouldn’t be repeated in polite company.

A little less than 10 months separates us from Avengers: Age of Ultron and although we haven’t seen much in the way of stills (and no trailers yet) fans were treated to a little preview thanks to Avengers director Joss Whedon. Joss states that both Quicksilver and Scarlet Witch will be fighting with Ultron and that we will be introduced to Vision. Whedon wouldn’t go into details of course, but just that little bit has already sparked my curiosity.

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For now, I’ll just keep calm and count down to Guardians of the Galaxy.

Finally here is an opinion piece from Comics Alliance about the wave of announcements that came out of Marvel this week. Starting with a female Thor and then Falcon taking up the mantle of Captain America, the internet has been abuzz with activity and rumors. I’ve go no issue with a new, black Cap, though I think the article’s author has a point that a new Falcon book would have been a better idea. What I’d really like to know is who the female Thor is. At first there were rumors it would be Angela, which I feel works out just fine, since she was still pretty out of place, but later images released show Angela and Fem Thor on the same Avengers team. So unless their screwing with us, I’ve got nothing.

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I really hope we’re being screwed with.

 

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Filed under Around the Web, Weekly

Making a Hero Does Not Make a Villain

Lately, I’ve noticed a trend in our society that I’m starting to find a little disturbing. It seems, at least in my opinion, that whenever the collective we decides to honor someone, whether it be in an article, video, or just in conversation, we must also vilify someone else. Whether it’s a politician touting his own qualities while simultaneously insisting that the other party is out to destroy the country and the world, or in sports where the star player of one team is lauded by his fans who believe the opposing team is scum, this sort of negativity seems to permeate nearly every aspect of life.

jack-kirby-museumWhen it comes to geek culture, I’ve noticed it most with comics, specifically when it comes to creators getting credit for ideas, storylines, and characters. For many years, this was the debate about Jack Kirby and Stan Lee. Each man had his own camp, filled with fans who were believed that their man was solely responsible for the creation of Marvel’s plethora of characters and that the other was riding their hero’s coat tails. For a long time this debate, though heated, remained civil, due in part large to the fact that since Stan Lee’s name was all over just about everything Marvel published, most people believed it was Stan who took the leading role. After all, if Jack Kirby had really been the creator, why wasn’t his name there instead of Stan’s? Or at least that’s how the argument went.

Stan 68 bwAs time went on, however, and more people became involved and began to take sides, the arguments became less civil and it seemed that in order to talk about the great work Jack Kirby did, fans had to insist that Stan Lee was stealing credit and that he treated Jack poorly. I was not in Marvel during the time that the events that sparked bad blood purportedly occurred, though I’m sure that some of them probably did. What gets me is that fans often can’t seem to separate the two ideas. There is no need to bring up one man while speaking about the achievements of the other.

More recently, a similar situation has been playing out for fans of DC between Bob Kane, the acknowledged creator of Batman, and Bill Finger, the man who by nearly every account (including a 1989 admittance by Kane) is responsible for most of the concepts associated with Batman. I have absolutely no issue with recognizing the efforts of Bill Finger. I love Batman and because of that I have a great deal of respect and affection for the contributions Finger made. However, I don’t understand why nearly every article I read about Finger has to include statements to the effect that Bob Kane stole credit. Again, I’m not trying to debate whether Kane did or did not steal credit; I’m trying to figure out why vilification of Kane is always attached to a discussion of Finger’s achievements.

Bill Finger

Bill Finger

I feel that this need to vilify someone often stems from an idea that is very familiar to comic books fans; where you have a hero, you must have a villain. Deep down inside, there is some kind of need to find a villain when presented with a hero, and if one is not immediately apparent, someone is assigned to the role. Nowhere is this more prevalent than in comic books— their brightly colored pages are filled with beings that are more than just heroes, they are superheroes. In many respects we fans tend to carry over expectations from creation to creator and sometimes those creators fall short. Those who behave like mere mortals can become villains simply because they do not live up to the ideal we have set for them. They are humans who acted like humans. They did things that were in their own interests, nothing more. That does not make them villains, certainly not to the extent they’re made out to be.

This type of ugly debate diminishes the achievements of the person being honored. Constantly paralleling one man’s accomplishments with the allegedly nefariousness deeds of another will leave fans and casual readers unable to separate the two. No longer can a person just think about all of the awesome work that Jack Kirby did, much of which Stan Lee had no involvement in whatsoever, but instead becomes mentally derailed by the second argument about who must have credit for it. Men like Finger and Kirby deserve to be honored and recognized for their contributions and not have their names constantly attached to those of other men.

Additionally, perpetual arguing and laying blame sustains division among fans. Arguing will never get at the truth of which creator deserves which credit. This is less of an issue with Kane and Finger since Kane has admitted in the past that Finger deserves more credit and people are less deeply entrenched, but when it comes to Jack and Stan, it’s been a verbal and legal battlefield for decades. I’ve already discussed what I think is the most likely way events unfolded based on how I interpret the facts, but to this day I feel like I am among the few who have remained somewhat objective and not just jumped in with one camp or the other.

The reality is that we need to give credit where credit is due to the best of our ability, and should dial down the aggression and look at the facts to get as close to the truth about these creator feuds as possible. There are plenty of times where debates about credit are appropriate, but we should do our best to keep that separate from our respect for the achievements of great people.

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Filed under Andrew Hales, Comics