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Review: Kickass 2

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Sometimes a movie comes out that changes everything. A movie so earth shattering that you are forced to re-evaluate your entire life. These movies are so rare that we must cherish them and walk away pondering their insights. Kickass 2 isn’t one of these movies. In fact, it’s nowhere close to being one of those movies. Even though I won’t be making any major life altering decisions after seeing Kickass 2, that doesn’t mean I didn’t enjoy it.

Kickass 2 is exactly what it set out to be: an edgy tale of real life superheroes who truly don’t have any clue what they’re doing. A sequel to 2010’s Kickass, and based on Mark Millar’s comic of the same name, Kickass 2 picks up after the events of the original. Kickass, the main character, is in retirement and Hit Girl is underground, though still training and preparing as if she weren’t. Much of the film deals with Kickass as he finds and joins a team of superheroes, all of whom are inspired by the actions he has taken as the world’s first superhero. There is almost a demented Avengers feel to the movie as the team is introduced, playing off the traditional comic book story of assembling the new team to fight a big threat. The plot fits within the already established world, but, like the first one, it’s still a bit farfetched. One scene in particular with supervillian Mother Russia really pushed the limits of what is believable. She manages to take out ten police officers in some particularly bizarre methods without so much as a scratch to herself. There have been many great movies (like The Matrix) that push the limits of the believable, but they tend not to be set in the present day reality. Certain elements of the movie, such as the training sessions, although exaggerated, were believable; while others like the attack on the poker game were over the edge.

The action sequences provided a pleasant mix of choreographed fights and clever dialogue which moved the story forward, without an excessive amount of shaky camera work and without going too crazy with the gore. The first Kickass was as much about trying to shock the audience as it was about the story. This time around most of the serious violence was saved for the major fight at the end of the movie. There was, of course, some included throughout the movie, but not quite as much as Kickass. Also, the blood and violence was considerably less cartoonish. Speaking of the final fight scene, Kickass 2 had a nice comparison between the supervillains all dressed in black and red and the superheroes who were in a whole rainbow of different colored costumes. Although a bit obvious, it did make things clear who the villains and heroes were.

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As far as the actors go, I enjoyed almost every performance. Aaron Taylor-Johnson plays a very believable geek but was able to get in fantastic shape for this role. Talk about making people feel inadequate; he has muscles I didn’t know existed. Recently Kickass 2 made news even before it was released due to Jim Carrey’s criticism of the violence in the film in the light of Newtown, CT. Carrey’s performance in the movie was respectable though not excellent. He was good, but I think his statements after the fact overshadowed the performance. The standout performance of the movie has to go to Chloe Grace Moretz as Hit Girl. She was good in Kickass, but she was even better this time around. A very talented 16 year old, Chloe was really the driving force behind the story. Although the story is about Kickass and is told by him, as times it seems like a Hit Girl story with bits of Kickass thrown in the middle to break things up. While I loved seeing Hit Girl beat the crap out of Kickass in an attempt to make him tougher, my favorite scene involved her getting even with the school bullies in an incredibly fitting way.

Chloe Grace Moretz as Hit Girl/Mindy

Chloe Grace Moretz as Hit Girl/Mindy

Overall there wasn’t anything specific I didn’t like; it’s just a second tier superhero movie. When compared to the original movie, Kickass 2 is a considerable improvement. There is a much more cohesive plot line, which is a result of the source material being completed well in advance of the movie (Due to health reasons, Mark Millar had to delay Kickass the comic significantly and the last issue was released at almost the same time as the film, leading to the plot of the movie being fuzzy at times.). Kickass 2 proved to be just about everything I look for in a sequel. It gave us further character development; introduced new and interesting characters, both good and bad; and most importantly it wasn’t just a pure rehash of the first film. If you really enjoyed the first one, then check out Kickass 2 in theaters. Otherwise, it’s worth the wait for Redbox. I give this movie 3.5 Death Stars.

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Review: Much Ado About Nothing

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We all know I’m a comic geek.  In addition to this however, I’m also a fan of Shakespeare.  I started reading the Bard’s works in fifth grade starting with Hamlet and Macbeth.  As I’ve gotten older, I’ve also come to really love modern interpretations of the plays.  Among my favorites are Scotland, PA and 10 Things I Hate About You, and now I’m quite happy to add Joss Whedon’s Much Ado About Nothing to that list.

Probably the most distinctive thing about a Joss Whedon movie is the script.  Anyone who is at all familiar with his work knows that his writing has a very specific feel that is immediately identifiable.  Joss’s choice to use the traditional Shakespearean script instantly removes his most notable trademark and raises a self-imposed challenge —one that Joss hurdles almost effortlessly.  Instead of adding his quirky sense of humor to the back and forth banter of the characters, Whedon leaves dialogue to the master and inserts himself into the direction of characters and the addition of small, non-speaking scenes.

It is obvious in several scenes that Whedon is providing very specific physical directions to actors to make best use of the existing dialogue and to enhance the scene through their performance.  Although I find Shakespearean comedies funny on their own, these new directions that Joss provides take this to a whole new level.

During one particular scene Benedick is listening in on a conversation between several other characters.  While it would be simple enough to have him hide behind a bush or something similar, Joss instead has Benedick doing all kinds of ridiculous things to hide including lying flat on his stomach in the grass while trying to use a rather inadequate tree branch as cover for his face. The other characters are obviously aware of what is going on, but ignore him and continue with their conversation. I have no idea how any of these actors were able to keep a straight face while these crazy antics were going on just behind them.

One of the non-speaking scenes that added to the film takes place between two of the security guards. Thanks to the many conversations we’ve witnessed between them, we are already well aware that they are not overly gifted in matters of the mind, however to further reinforce this impression, this little scene shows the two of them searching for their keys, only to realize they locked them in the car.  This scene is completely unnecessary but it adds so much to the characters. It allows for the quick glance deeper that Whedon is known for, without saying a word.

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Nathan Fillion would like it known that he is an ass.

I would be remiss if I failed to mention the casting of this film.  Made up of many Whedon alumni, the cast works just as it should.  Unlike Shakespearean tragedies, the comedies feel more like an ensemble.  Despite having plenty of recognizable faces in the cast, there are no divas, and no true standouts.  This is not to say that none of the cast stood out, but more to say that the cast as a whole was amazing.  While I have no doubts there were several outtakes due to dialogue, I can’t remember any points in the film where the sometimes difficult Shakespearean English tripped up the actors.  It was all delivered cleanly and in a manner which helped make the often muddy much clearer.

I think the most telling thing for me is that I have almost nothing negative to say about this film.  Although I did have a moment of trepidation at the very beginning due to the seemingly stereotypical “indie film” opening scene, this was cleared up within another minute.  There were one or two times that I didn’t care much for the way a particular camera angle was used or that the music may have been a bit too menacing, but this was all so minor that it didn’t take away from the film as a whole.  Let’s be honest, if all I can find to complain about is a couple of camera shots and a minute or so of music, this is definitely a home run and damn near a grand slam.  Whether you are a fan of the Bard, of Mr. Whedon, or both, this film is definitely worth checking out. I already have plans to add it to my Blu-Ray collection.

5/5 Death Stars

5/5 Death Stars

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Filed under Andrew Hales, Movie Reviews, Movies