Author Archives: Andrew Hales

Making a Hero Does Not Make a Villain

Lately, I’ve noticed a trend in our society that I’m starting to find a little disturbing. It seems, at least in my opinion, that whenever the collective we decides to honor someone, whether it be in an article, video, or just in conversation, we must also vilify someone else. Whether it’s a politician touting his own qualities while simultaneously insisting that the other party is out to destroy the country and the world, or in sports where the star player of one team is lauded by his fans who believe the opposing team is scum, this sort of negativity seems to permeate nearly every aspect of life.

jack-kirby-museumWhen it comes to geek culture, I’ve noticed it most with comics, specifically when it comes to creators getting credit for ideas, storylines, and characters. For many years, this was the debate about Jack Kirby and Stan Lee. Each man had his own camp, filled with fans who were believed that their man was solely responsible for the creation of Marvel’s plethora of characters and that the other was riding their hero’s coat tails. For a long time this debate, though heated, remained civil, due in part large to the fact that since Stan Lee’s name was all over just about everything Marvel published, most people believed it was Stan who took the leading role. After all, if Jack Kirby had really been the creator, why wasn’t his name there instead of Stan’s? Or at least that’s how the argument went.

Stan 68 bwAs time went on, however, and more people became involved and began to take sides, the arguments became less civil and it seemed that in order to talk about the great work Jack Kirby did, fans had to insist that Stan Lee was stealing credit and that he treated Jack poorly. I was not in Marvel during the time that the events that sparked bad blood purportedly occurred, though I’m sure that some of them probably did. What gets me is that fans often can’t seem to separate the two ideas. There is no need to bring up one man while speaking about the achievements of the other.

More recently, a similar situation has been playing out for fans of DC between Bob Kane, the acknowledged creator of Batman, and Bill Finger, the man who by nearly every account (including a 1989 admittance by Kane) is responsible for most of the concepts associated with Batman. I have absolutely no issue with recognizing the efforts of Bill Finger. I love Batman and because of that I have a great deal of respect and affection for the contributions Finger made. However, I don’t understand why nearly every article I read about Finger has to include statements to the effect that Bob Kane stole credit. Again, I’m not trying to debate whether Kane did or did not steal credit; I’m trying to figure out why vilification of Kane is always attached to a discussion of Finger’s achievements.

Bill Finger

Bill Finger

I feel that this need to vilify someone often stems from an idea that is very familiar to comic books fans; where you have a hero, you must have a villain. Deep down inside, there is some kind of need to find a villain when presented with a hero, and if one is not immediately apparent, someone is assigned to the role. Nowhere is this more prevalent than in comic books— their brightly colored pages are filled with beings that are more than just heroes, they are superheroes. In many respects we fans tend to carry over expectations from creation to creator and sometimes those creators fall short. Those who behave like mere mortals can become villains simply because they do not live up to the ideal we have set for them. They are humans who acted like humans. They did things that were in their own interests, nothing more. That does not make them villains, certainly not to the extent they’re made out to be.

This type of ugly debate diminishes the achievements of the person being honored. Constantly paralleling one man’s accomplishments with the allegedly nefariousness deeds of another will leave fans and casual readers unable to separate the two. No longer can a person just think about all of the awesome work that Jack Kirby did, much of which Stan Lee had no involvement in whatsoever, but instead becomes mentally derailed by the second argument about who must have credit for it. Men like Finger and Kirby deserve to be honored and recognized for their contributions and not have their names constantly attached to those of other men.

Additionally, perpetual arguing and laying blame sustains division among fans. Arguing will never get at the truth of which creator deserves which credit. This is less of an issue with Kane and Finger since Kane has admitted in the past that Finger deserves more credit and people are less deeply entrenched, but when it comes to Jack and Stan, it’s been a verbal and legal battlefield for decades. I’ve already discussed what I think is the most likely way events unfolded based on how I interpret the facts, but to this day I feel like I am among the few who have remained somewhat objective and not just jumped in with one camp or the other.

The reality is that we need to give credit where credit is due to the best of our ability, and should dial down the aggression and look at the facts to get as close to the truth about these creator feuds as possible. There are plenty of times where debates about credit are appropriate, but we should do our best to keep that separate from our respect for the achievements of great people.

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Review: Jodorowsky’s Dune

Jodorowsky's Dune.OneSheet

Take a moment to think about the most influential science fiction movie.  Chances are that most people have several of the same movies on their lists: Star Wars, Blade Runner, Alien, Avatar, Terminator, just to name a few. However, there is a movie that is potentially more influential than any of the ones I’ve listed, and yet that movie was never made.  Such is the tale told by Jodorowsky’s Dune, a recent documentary that chronicles the failed attempt by director Alejandro Jodorowsky to make a film adaptation of Frank Herbert’s classic novel Dune. Continue reading

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Editorial | Why Word Limits are Still Important

Once, when I was a teenager, I wrote a story for a contest online.  What made this story different from every other piece of prose I had written up to that point was that it had a 500 word limit.  After months of writing, rewriting, and editing, the story was 499 words long, and there was nothing in it that didn’t advance the plot.  There was no need to double up on adjectives, because each one described its noun perfectly.  Ambiguous ideas were scrapped because they would require too much explanation.  It was the best thing I had ever written.

Back when I first started writing novels, publishers insisted on a word/page limit of between 150 and 200 pages of Courier New font for young adult historical fiction.  The 200 page  (roughly 50,000 words) mark was the absolute maximum.  It seems these days that those limits are no longer being enforced by publishers—especially on authors that have been well received.  Unfortunately, this, combined with the phenomenon of increasing book lengths in the fantasy genre, has led even authors who have written some really fantastic stuff in the past to get sloppy. Continue reading

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Saturday Reviews | Batgirl #33 and Zaya #1

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I’ve been behind on Batgirl for a while, but with this week’s announcement of a brand new creative team starting in October, I decided I should make an effort to finish out Gail Simone’s run. With that in mind I picked up Batgirl #33 and felt like I was right back home. Sure I’d missed several issues, but I had no problem jumping right back into the story. The ease with which I was able to slip into Batgirl’s world is one of the hallmarks of a great writer. Simone really knows the characters she is writing and it’s nice to see that even this deep into her time on the title, she’s still taking time to develop the character further. I also really enjoyed the fact that she is still making good use of Barbara’s inner dialogue. My only major complaint is that in a couple places the exposition was a little heavy. It felt a little like reading 70’s X-Men where everyone called everyone by name every time they spoke to one another.

I'm fairly certain we know who is talking to whom.

I’m fairly certain we know who is talking to whom.

While I was once again in love with Simone’s writing, the same cannot be said for the art. I’m not going to say it was bad, but I did have a few complaints. One of the best parts of the New 52 was the push for more realistic looking costumes.  Whether or not it DC actually managed to pull it off or not can be debated, but Batgirl’s great look cannot.  However this book appears to be progressively moving back toward the days of spandex, or worse, pleather (the horror, the horror!).

A nice little twist on a cliche.

A nice twist on a cliche.

I’m inclined to believe the fault for this one falls mostly with the colorist. The pencils and inks seem solid but it’s the shiny looking colors that I dislike. This was also the first time I’d seen the new look of Black Canary and I’m not a fan. The art wasn’t all bad though, with one of my favorite panels catching the female villain, Knightfall, in bed with two “boy toys”. I thought it was an amusing twist on the stereotypical male villain with floozies.

Shiny costume and the Black Canary re-design.

Shiny costume and the Black Canary re-design.

While I am excited about the new look and direction for Batgirl, I will certainly miss the current run and I’m going to make sure I savor every issue that Simone has left. 3.5/5 Death Stars.

3.5 Death Stars

 

 

 

 

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The second book on today’s review is Zaya #1 from Magnetic Press. Zaya is not something in my normal pull; however, as I was browsing Comixology, I came across it in the new releases and figured I’d give it a try. I certainly wasn’t disappointed, though I’m still not quite fully on board with this book. Even granting that this is the first issue, the story is somewhat ambiguous. The first half of the story introduces an attractive young woman, who I assume is the main character since she bears a striking resemblance to the woman on the cover. While at an art opening, the woman stops a drunk patron from abusing a waiter, in the process demonstrating that there is more to her than meets the eye, though beyond her martial arts skills it’s unclear what that might be. The second half of the book is a chase sequence with a man on the run from a “creature” that is intent on murdering him. It’s not clear how the two halves of the story will connect, but I’m certain JD Morvan will make this clear in the issues to come.

Beautiful art by Huang-Jai Wei.

Beautiful art by Huang-Jai Wei.

The art has a very Heavy Metal look to it, which for large parts of the book was quite enjoyable. I was most impressed with Huang-Jai Wei’s ability to mirror a person’s inner qualities in their appearance. The abusive drunk is shown as a handsome man until it becomes clear from his actions that he is a scumbag, at which point the art changes, subtly, to show the man’s inner ugliness externally. I also really liked that when he chose to show extreme violence, he draws it in a more artistic manner, instead of making it exceptionally gory. Gore is easy to do; it takes far more skill to show the same scene tastefully while still conveying the same emotions to the reader.

The one place where the art has issues is with the mysterious “creature” in the second half of the book. I use quotes because I’m honestly not sure what to call this thing. It’s large, black, and ill defined. At times, I’m fairly certain I was supposed to be looking at a face, but with the exception of one panel, I couldn’t see it. If Wei can clean this one portion up a little, I think this book will really be something special.

Honest to god, I don't know what to make of this thing.

Honest to god, I don’t know what to make of this thing.

There is currently a very nice looking hardcover available for preorder, and for $30 I’m very tempted to get it, though I’ll wait an issue or two more before I do. I’m definitely on board for at least one more issue and I’ll see how it goes from there. 3/5 Death Stars.

3 Death Stars

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