Monthly Archives: September 2013

New 52 in Review: Week 2

Welcome to Week Two of the DC New 52 in Review.  This week’s titles were initially released on September 7, 2011.  So far five of the original thirteen titles have been cancelled—four of which died early to make room for the second wave of DC titles.  Two of the most critically well received books in the entire reboot, Animal Man and Swamp Thing were released this week, along with one of my personal favorites Batgirl.

Action Comics Action_Comics_Vol_2_1

Action Comics is a new, ongoing Grant Morrison Superman series.  While I am not a huge fan of the Man of Steel, I did really enjoy All-Star Superman, so was willing to give Morrison plenty of room to play.  To start, Morrison introduced Superman as a young man wearing jeans and boots, but he was unable to keep this up for long.  Soon Kal-el was back to a newly updated costume and cape.  Morrison departed after issue eighteen, and the book has been through a couple of different writers.  Now it has become a late victim of DC editorial interference.

Animal ManAnimal_Man_Vol_2-1_Cover-2

A cult hit character, Animal Man marks the return of Buddy Baker to the DCU after he spent some quality time off at the Vertigo imprint.  Smart writing by Jeff Lemire and art by Travel Foreman helped propel Animal Man to unexpected popularity.  After its long crossover with Swamp Thing, Animal Thing has taken a dark turn (from an already dark plot) while Buddy tries to deal with the death of his son during the Rotworld storyline.

Batgirlbatgirl

Barbara Gordon returns as Batgirl.  I still love this book two years later.  It’s got some great action but manages to avoid getting to serious. Although the return of Babs as Batgirl means the loss of Oracle (which has stirred up more than a few people), it was a great choice.  Very little time was spent dealing with how Gordon recovered from her paralyzing shot from the Joker.  This is also one of the most obvious places where DC continuity is not completely rebooted as Gordon was famously shot in The Killing Joke, which is, of course, part of the old continuity.  Batgirl typically does its own thing, making occasional crossovers with other Bat titles, though the issues rarely have an impact on the overall crossover story.

Batwingbatwing

A carry over character from the end of Grant Morrison’s Batman Incorporated, Batwing was supposed to be the Batman of Africa.  Given a backstory which draws upon several of the most common problems facing Africans today (child soldiers and AIDS), Batwing was later recruited by Bruce Wayne as part of the Batman Inc. initiative.  Batwing fought his share of original, but unimaginative villains through his first few story arcs.  After issue nineteen, however, it was decided to reboot this series again; this time using Luke Fox, son of Lucius Fox, as the new Batwing.

Detective Comicsdetective comics

Although not as well received as Batman, DC’s flagship title (yes, DC stands for Detective Comics) has still been a good run so far.  Starting off with a particularly shocking ending to issue one, where it is revealed that someone has cut the Joker’s face off, this book has been running strong ever since.  While it periodically crosses over with the rest of the Batman titles, Detective Comics—like Batgirl—has tended towards its own plot.

Green Arrowgreen arrow

Green Arrow, although always a popular character and now star of his own CW TV show, has had several problems in recent years.  Archer characters such as Green Arrow and Hawkeye are always difficult to write for; it is hard not to make them look silly in a world populated by beings such as Superman. The rebooted Green Arrow was no different. Many fans complained that the character being written in the New 52 was not the same one they had come to know and love. Starting with issue seventeen, writing duties were taken over by Jeff Lemire and the book has made a pretty successful comeback. While the character is still different, fans were pleased by the re-inclusion of many aspects from his past. This, combined with overall better writing and improved art, have made Green Arrow a book worth checking out.

Hawk and Dove CANCELLEDHawk-and-Dove_1

Hawk and Dove was a hot mess. The series was poorly written and simply uninteresting. Art was done by Rob Liefeld and while it wasn’t bad, it was still in Liefeld’s exaggerated and anatomically incorrect style.  Liefeld’s art may have worked in the 90’s, but by today’s standards it is just not up to par.  This helps illustrate one of the biggest issues with the New 52.  Many of the writers and artists that were recruited for the reboot were big names fifteen or twenty years ago.  Instead of packing their lineup with new and exciting new talent, DC decided that their fans needed a trip back in time.  I don’t think many people were sad were to see this series go after eight issues.

Justice League International CANCELLEDjli

A spin-off of Justice League (in case you had any doubts), Justice League International was filled with lesser characters from the DC universe who were at one point members of the Justice League, but not important enough to stay on the main team. I was a little sad to see this one be cancelled, since I am a fan of several of the characters, but I also understand the decision.  An attempted shake-up after the first round of cancellations failed to make the impact that DC had hoped, and it, too, found itself on the chopping block just four issues later, at issue twelve.

Men of War CANCELLEDmen of war

DC’s attempt at the small but consistent market for war comics was Men of War. Previous volumes of Men of War had featured many now-famous writers and artists, but this was not the case for the New 52.  Centered on Sgt. Rock, who is the grandson of the famous DC character of the same name, Men of War failed to live up to its potential and the very high bar set by other war comics and was cancelled at issue eight, to make room for the second wave.

O.M.A.C. CANCELLED omac1

O.M.A.C is based on a classic Jack Kirby character. Much in the same way that Kirby’s original series was cancelled after only eight issues, so was the latest iteration of O.M.A.C..  The title character was moved into Justice League International until that title was cancelled as well at issue twelve.  Although the book was well received, it lacked a popular following.  It’s always a shame to see a Jack Kirby creation fail to gain traction with a modern audience.

Static Shock CANCELLEDstatic shock

Static is one of those lesser characters that somehow managed to get a book in the New 52.  I’m not surprised that Static Shock and several other books like it did not survive.  As much as geeks may love comics, if they don’t have a following, they don’t sell.  Rumor has it that Static will make some appearances in Teen Titans, likely based on his association with S.T.A.R. Labs.

StormwatchStormwatch

One of the original Wildstorm titles (providing the “storm” in Wildstorm) Stormwatch has made its transition to the DCU.  A team consisting of mostly returning characters, plus Martian Manhunter, is tasked with fending off the most significant of alien threats that are coming after Earth.  While the series is still going on, writer Jim Starlin, famous for many of Marvel’s cosmic comics, took over at issue nineteen and completely rebooted the series with a new team.

Swamp Thingswamp thing

Being a legacy book, Swamp Thing has a lot to live up to.  Although the book has wandered around a bit, it has definitely lived up to its potential.  The first eighteen issues dealt with The Rot and a crossover with Animal Man that, although very good, took a bit too long to wrap up.  Scott Snyder’s writing on Swamp Thing is more of the same excellence fans have come to expect, though still not quite as good as his parallel run on Batman.  Swamp Thing is one of the standout titles from the New 52.

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Filed under Andrew Hales, Comic Reviews, Comics

Winning Science September 4, 2013

NASA is in trouble. Or at least so says Scott Pace, Director of the Space Policy Institute. In an open press call, Pace expressed concern about the overall lack of direction within the administration. Without a clear, long term mission, American manned space flight will likely end with the International Space Station.

nasa_logo

It would be disgraceful if the country that first put a man on the moon completely gave up on the idea of exploring the universe beyond our small blue planet.

I don’t know about you, but there has been more than one occasion that I’ve needed a bit of extra cash.  I may or may not have considered selling a kidney to get that extra cash.  (Don’t look at me like that. I know I’m not the only who has thought that might be a viable financial decision.)  I’m glad I didn’t however, because it turns out I would have gotten ripped off.

Is it just me, or does it look like this kidney is wearing a toupee.

Is it just me, or does it look like this kidney is wearing a toupee.

Turns out the people selling the organ don’t really get that much of the money.  Glad I went with underground D&D games to earn my cash.

Finally, in the weeks to come, I, like many of you, will be forced to update to iOS 7, whether we want to or not. Personally, I’m fine with the idea.  There is certainly room for improvement in the current iOS.  I’d really enjoy not going through five different actions to turn my bluetooth on or off.  I’m pretty sure the guy driving next to me would appreciate that as well.  Some basic uniformity wouldn’t hurt either.

apple-logo

Steve Jobs is rolling in his grave right now. Do a barrel roll, Steve!

Lastly, I’d like to end this week’s segment with a fantastic piece of science history. A beautiful chart explaining electromagnetic waves from the 1940’s has been brought to us by Popular Science.

EM waves

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Review: Attack of the Killer Tomatoes!

Sometimes B movies try to take themselves way too seriously. Directors think that the movie is the big break they’re looking for and instead of having fun with it, they end up looking silly. What makes Attack of the Killer Tomatoes! so fantastic is that it is self aware and often exploits its own grade. Just one look at the opening credits reveals this. In between actual opening credit shots are furniture ads and a “space available” sign. Attack of the Killer Tomatoes! is a great example of what the B movie genre can really be. There is no exploitation, no sex, and no excessive violence, just an amusing story full of quirky humor and the generally bizarre.

While much of the movie is nonsense, the plot sticks around for at least forty minutes (far longer than I remember it doing), and maintains some plot threads even after the rest has degraded. The movie follows two separate stories, that of White House Press Secretary Jim Richardson as well as Federal Intelligence Agency agent Mason Dixon and his covert team. Like any good Press Secretary, Richardson’s job is to try and spin the tomato attacks in such as way as to save face for the President. Mason’s job is to investigate the source of the tomato attacks and try to stop them if possible. While hot on the trail, all of Mason Dixon’s team is killed except Lt. Wilbur Finletter, a saber wielding man in a jumpsuit and a deployed parachute (yes, he wears the parachute for the entire movie). In the end, it turns out that Jim Richardson is the mastermind behind the diabolical tomato plot and that he is essentially a “tomato whisperer.”  He hopes that when he stops the attack the surviving people will make him their leader. Richardson meets a disagreeable demise at the business end of the overeager Lt. Finletter’s saber. Naturally this unpleasantness happens just as Richardson was about to tell his secret for controlling the tomatoes.  Eventually the tomatoes are stopped by Mason Dixon’s quick thinking, and the aid of an awful pop song called “Puberty Love”. It had been many years since I’d seen the movie and my memory didn’t serve justice to this bizarre and twisted plot.

Press Secretary Jim Richardson’s journey is one of the more bizarre, yet amusing portions of this movie. His quest begins with a conversation with the President (who is endlessly signing his name on pieces of paper with different pens). Richardson then travels to San Francisco, which is dubbed New York, to recruit the help of a Madison Avenue ad executive.  The exec bursts into a musical number halfway through their interview. The ad campaign they come up with is so ridiculous that it would be unbelievable, except that I’ve seen some really bad commercials in my time.

The best part of Attack of the Killer Tomatoes! is all the little details. Scrolling ads appear on the screen from time to time.  Near the end, the ad type is interrupted by a caps locked plea for help as the typist is apparently eaten by a tomato.  I had to rewind the movie to watch the actual scene, since I was paying attention to the ad the first time.

At one point in the movie there is a Congressional Committee meeting in which all of the congressmen are named after former US presidents such as Polk and Fillmore.  For screen writing this terrible (and it really is) the puns and innuendos are amazingly clever. My absolutely favorite scene involves a briefing in a room that is far too small for the number of people who are in it. People are forced to crawl over each other and the table in order to get to their seats or to get up in front of the group to speak. There is also a Japanese scientist who is dubbed very badly, very intentionally.

Aside from the main plot, there are some other great moments throughout the movie. There is a very convincing helicopter crash in the opening scenes of the movie that I love (Turns out it was actually a real crash, so that explains why it’s so convincing.). The oversized tomatoes actually look pretty good. They are smooth and shiny just like real tomatoes, just much larger. Also, I love the little grumbling sounds that the tomatoes make as they go on their killing spree.  

A surprisingly realistic tomato… except for its size, of course.

Of course Mason Dixon has his obligatory love interest, in the form of reporter Lois Fairchild. Lois’ contributions to the movie are limited, though she does have a couple of amusing moments. In her introductory scene, she says hello to a passerby named Clark with a red cape sticking out from under his coat; and later the movie wraps with a warped version of a stereotypical love scene.

Once the plot devolves, the movie becomes a little difficult to follow. May of the scenes seem to have little relation to the ones that came before and even less to the ones that come after. The movie eventually breaks down into a random group of weirdos stomping on tomatoes in the parking lot of San Diego Stadium.

This is not an uncommon problem for B movies. They often start with a great premise and are able to maintain in for forty five minutes or so, but they then need to fill another 30-45 minutes with scenes that often feel made up on the spot and are not at all in line with the rest of the movie. Attack of the Killer Tomatoes! ranks as one of my top favorite B movies of all times. Not only was it a good movie, but it has spawned several sequels, including one with a very young George Clooney (a review for another day), and a 90’s cartoon series. A definite watch for any fan of B movies. 4 Death Stars.

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Filed under Andrew Hales, Movie Reviews, Movies

Editorial | The Batman is Dead, Long Live the Batman

So you may have heard the news… there’s a new Batman in town.  Ben Affleck, of mixed Hollywood reviews, has been signed to play the caped crusader in the sequel to Man of Steel, which will feature both Batman AND Superman.

The internet reaction to Affleck’s casting has almost been visceral.  Twitter was aflame for most of the first day with angry fans declaiming the franchise.  Honestly, I see their point.  Affleck’s breakout starring role was in a movie he co-wrote with his best friend.  It would make sense that he would seamlessly morph into his character in Good Will Hunting, since the movie takes place in Affleck’s hometown of Boston, and features the places and social norms with which he grew up.

After the 1997 instant hit, however, Affleck’s career became a series of boring (and sometimes nameless) roles in ridiculous movies—and yes, I include Pearl Harbor among those.  In 2003, the actor spandexed up for the first time in the title role of Daredevil.  The movie did pretty well at the box office, but tanked in critic and viewer reviews.  His performance in this last superhero movie seems to be the main talking point for Batfleck haters.

To be completely fair, the early 2000’s were not kind to superhero movies of any kind.  Does anyone remember the first X-Men movie from 2000?  Hulk, which came out the same year as Daredevil?  Still, although there were other terrible comic book movies in that half of the decade, Daredevil was still a pretty awful representation.

While I don’t actually see any fans of the decision, a few people have actually tried to defend the move, citing Affleck’s recent move to the director’s chair with movies like The Town.  Here, I again have to point out first that The Town  would have made a TERRIBLE comic movie, and that it was also set in Boston—Affleck’s home town.

I find it telling that typing the words “Ben Affleck batman” into Google gives me 106,000,000 hits, and the headlines read:

Ben Affleck’s So-So Batman” (Daily Beast)

3 Out of 3 Former Batmen Agree: Ben Affleck Will be Fine” (Wired)

Matt Damon Defends Ben Affleck’s Batman: ‘You Know He’s Not Playing King Lear” (Huffington Post)

Matt Damon is secretly hoping to be cast as Robin…

Even those defending the casting decision point out that Affleck will be ok.  They say that the franchise will be fine.  Life will continue on.  No waves will be made.  Affleck will not do anything amazing with Batman, but neither will he destroy the movies.

Ultimately, I think that this is the best that any DC comic fan is going to be able to look forward to in the next few Batman movies.  To be perfectly blunt, Christopher Nolan’s Dark Knight brought an unparalleled level of brilliance to Batman.  Until his spectacular three-movie feat, DC’s comic movies have been mediocre at best.  With his departure, Batman will subside back to what it was before him.

Do you agree with the Warner Bros. decision?  Let us know in the comments!

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Filed under Editorial, Movies, Tracy Gronewold