Category Archives: Reviews

Editorial | Review: ACID

***** SPOILER ALERT *****

This review will be discussing plot points which may be considered spoilers. Consider yourselves warned.

I have gotten my hot little hands on a copy of Acid, the first novel from author Emma Pass.  The author is from the Midlands, UK, and her European roots come out in certain word choices and, of course, measurements.  Fortunately for Therefore I Geek readers, I have read the book and am here to lay out the good, the bad, and the ugly about it.

The Good: The main character in this book is one Jenna Strong, who is in a maximum security, male only prison at the tender age of seventeen for parricide.  The book is set in 2113, in a UK that is completely cut off from the rest of the world.  A lackadaisical government has been thrown out of power by an anti-terrorist arm of the military/police force called ACID (Agency for Crime Investigation and Defense) and a police state has been in place for about 100 years.  As far as the good of this book goes, the well designed acronym is pretty much all it has to offer.  That, and the perfect use of the subjunctive tense.

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Filed under Book Reviews, Books, Editorial, Tracy Gronewold

Saturday Reviews | Titan Comics Double Feature

Today we’ve got a Titan Comics double feature, Chronos Commandos and Monster Massacre Vol. 2. Now before I jump into these reviews, I would like to take a moment and say that all other considerations aside, Titan Comics puts together some damn fine looking books. They’re beautifully printed on high quality paper, typically in hardcover, and they make an addition to a comic collection that any geek would be proud to display.

Chronos Commandos

Chronos commandos cover

Chronos Commandos is a pulp adventure about World War II commandos who travel through time to fight Nazis. Writing and art duties are deftly performed by Stuart Jennett. Jennett states in the introduction that he wants this book to feel like a combination of old pulp novels and WWII films/serials mixed in with childhood memories of playing with action figures and I’d say he hits pretty close to that mark. I had some instant flashback to playing in the sandbox with the older neighbor kids, a battle raging between whatever figures we could get a hold of, be they G.I. Joes, Transformers or dinosaurs.

Jennett has a great, painted art style.

Jennett has a great, painted art style.

The story centers on Sarge, a stereotypical grizzled Army sergeant who leads a group of Chronos Commandos back to the Cretaceous period looking for Nazis who are trying to change the past to benefit their future. There is a lot of playing with time, jumping back and forth in the past and present, sometimes with multiple copies of characters overlapping.  I found it particular amusing to have two of one of the characters in one place.

The plot is solid, though not particularly scientific. Jennett’s art is a painted style, which is not what I would have expected from a book like this, but I thoroughly enjoyed it. I was particularly impressed with the changes in color palette and the various textures that Jennett used. My only real complaint comes from the dialogue. At times it was overly campy and cliched and I feel that the story could have benefitted from a little more originality. The Nazi dialogue was also tough. This was mainly because of the spelling, which was adjusted to give the impression of a German accent. If WWII stories, time travel, and/or dinosaurs are your thing, then I’d recommend you pick up Chronos Commandos for some light reading enjoyment. 3.5 Death Stars.

3.5 Death Stars

Monster Massacre Vol. 2

Monster Massacre cover

Now this is my kind of book!  Monster Massacre Vol. 2 is an anthology of monster comics and pinup art that highlights the talents of Imaginary Friends Studios and STELLAR Labs. Some of you may recall a few months back when I talked about wanting to read more anthology books–well this is the exact type of book I was looking for. All of the comics are fifteen pages or fewer and they are broken up by some fantastic pinup art.

Pin up art from the first story "Carpe DIEm".

Pin up art from the first story “Carpe DIEm”.

It is important to note that this is not a book for children as there is some adult themes and quite a bit of nudity. That being said, there is something in this anthology for everyone else. The stories themselves run the gambit from short story to just snippets from character’s lives.  Some are serious, but there are several that are quite humorous.  My favorite story, “Hell-O-Kitty,” was funny, action filled, and even poignant.

The art is as varied as the stories. While a good portion of it looks like it should be in Heavy Metal (including one previous Heavy Metal cover) there are also some that look like work from more traditional comics as well as some manga inspired pieces. There is something in this book to satisfy the tastes of just about any comic reader. Even if anthologies are not your normal cup of tea, I’d still highly recommend you check this one out. With so much packed into it, there is bound to be something piques your interest. Monster Massacre Vol. 2 comes out this Tuesday, March 18. 4.5 Death Stars.

4.5 Death Stars

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Review: 300: Rise of an Empire

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One of the most famous battles in ancient history is the Battle of Thermopylae, in which a force of Greeks lead by 300 Spartans held a pass against the vast Persian army.  Although most of the Greeks were killed during the battle, Thermopylae would not have been possible without the actions of the Greek fleet in the Straits of Artemisium.  That naval engagement is the central plot of 300: Rise of an Empire.

When the Greeks are once again threatened by the Persians, led by the god king Xerxes (Rodrigo Santoro), it falls to Athenian general Themistocles (Sullivan Stapleton) to lead the defense of the free Greek states. Themistocles goes to Sparta in an attempt to recruit the Spartan king Leonidas to join him in the fight. The Spartan queen Gorgo (Lena Headey) meets Themistocles and informs him that the Spartans have no intent to join the rest of the Greek states but intend to go to war against the Persians none the less. Themistocles is forced to take his meager fleet and engage the vastly superior Persian navy, led by Artemisia (Eva Green), a Greek with a burning hatred of her countrymen. For days the Greeks best the Persians, but they are ultimately forced to retreat to the Bay of Salamis for a final standoff.

There was a surprising amount to like about 300: Rise of an Empire. I was consistently pleased with most of the visuals for the movie. Much like the original movie, Rise of an Empire presents a very stylized take on this classic, heroic tale. While not directly based on any comics, the film maintains the visual style of 300—both the comic and film. The fights scenes are, of course, the highlight of the movie. There are dozens of scenes filled with barely dressed Greeks hacking and stabbing Persians with a choreography that the ancients could only dream of. One scene in particular featured father and son team Scyllias (Callan Mulvey) and Calisto (Jack O’Connell) taking turns hacking down opponents while they advanced down the length of a Persian ship. In addition to the hand to hand combat, there is also a considerable amount of ship to ship fighting as well. This is to be expected given that the plot revolves around a naval battle, but I was pleased with the quality of these scenes. Although they were not overly historically accurate (and after 300, I wasn’t holding my breath on this point) the battles weren’t completely unrealistic either. Sure, the settings were exaggerated, but when wooden ships crashed into one another they actually got really smashed up.

Persian ships go crunch.

Persian ships go crunch.

Rise of an Empire is definitely a movie that pushes the boundaries of what the audience is willing to accept in the name of suspension of disbelief. Since the film exists in a comic universe, there are plenty of things that make for great storytelling, but that the viewer has a hard time believing could happen. Toward the end of the film (No major spoiler here, this was in the trailer), Themistocles rides a horse across several damaged ships, including ones partially underwater and engulfed in flames. Now don’t get me wrong, this made Themistocles look like a total badass, but there was this nagging voice in my head that kept telling me that a horse–even a well-trained war horse–would not willingly dive underwater and then into a fire. Little things like this would at times pull me out of the film universe and send me back to reality.

Sullivan Stapleton did a respectable job as Themistocles. While there are some similarities between Stapleton’s character and Gerard Butler’s Leonidas, I enjoyed Stapleton much more. I’ve always felt that the Leonidas character in 300 was a bit crazy and over the top.  While Themistocles could be quite intense, he was also able to take it down a few notches from time to time. Stapleton also had the physical presence for the part. Though not the most muscular man on screen, Stapleton was in amazing shape and stood over all the other major characters by several inches. At the beginning of the film, when Themistocles is attempting to rally all the Greeks to his cause, even dressed in his normal Greek attire he stands out in the sea of old men and other politicians.

Eva Green’s Artemisia is as deadly as she is beautiful—and she is exceptionally beautiful. Green plays the cold-hearted, Persian admiral perfectly.  She lives only to destroy the Greeks who have wronged her in the past and she takes a sadistic pleasure in inflicting as much damage upon them as possible. My one real complaint comes from the fact that we end up with a nude scene from Green that really serves no purpose other than to get Green topless. I am certainly not against nudity in film, but this scene is patently gratuitous and doesn’t really help to move the story line along.

Eva Green

Eva Green

300: Rise of an Empire is quite possibly the loudest movie I have ever seen, at least during certain portions.  During the opening sequence I was legitimately concerned that I was going to have some kind of permanent hearing loss if it stayed at the same volume.  Thankfully it soon came back down to a more reasonable (though still loud) level.

For all its visual wonder, Rise of an Empire fell into the same trap that many other films have fallen into lately:  3D. In an attempt to include 3D effects, some shots become rather awkward. As far as I can tell, since I saw the movie in regular 2D, the majority of the 3D effects were projectiles (arrows and spears) and blood splatter, of which there was plenty. There were several times where those particular effects would look vastly different even within the same scene, leading to an overall sloppy look.

Like its predecessor, this movie made considerable use of slow motion; unfortunately, not very good use. Shots would slow down in the middle of the action, seemingly at random, and then go back to normal speed just as haphazardly. There seemed to be no underlying rule of thumb as to when slow motion would be used, and after a while it became a distraction. This slow down/speed up pattern coupled with occasional handcam use made a mess of otherwise impressive fight scenes.

In the end, 300: Rise of an Empire was a pretty entertaining movie and a solid sequel. It will certainly not be breaking any records, nor winning any major awards, but it will make for enjoyable viewing on a rainy spring afternoon. I give it three out of five Death Stars.

3 Death Stars

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Filed under Andrew Hales, Movie Reviews, Movies

Review: Santa Claus Conquers the Martians

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B movies must be judged by their own set of standards. Attempts to compare a movie like Godzilla, which is a high quality B movie, to something like Lawrence of Arabia, a masterpiece of film, will never work. Lawrence of Arabia will win out every time because it is a much better film. Unfortunately there are B movies that reside on the low end of this modified scale and Santa Claus Conquers the Martians is one such movie.

I heard about Santa Claus Conquers the Martians years ago when I first became interested in B movies. It is one of the more well-known B movies and so I therefore assumed it was one of the better ones. This, regrettably, was not the case. Don’t get me wrong, I did thoroughly enjoy myself, but that was largely due to the fact that I’m amused by bad acting and terrible looking movies.

Kimar (Leonard Hicks) and Momar (Leila Martin)—King and Mom Martian—are concerned that their children Bomar (Chris Month), a male Martian, and Girmar (Pia Zadora), a female, are watching too much TV and becoming obsessed with Santa Claus (John Call) so much that they barely eat or sleep. Kimar gathers together the other Martian leaders, including the adversarial Voldar (Vincent Beck), to consult their mystical elder Chochem.

Voldar and Kimar

Voldar and Kimar

Chochem tells the Martian leadership that they must let their children be children (instead of educating them to adult levels while they are still infants) and foster creativity and individuality. In order to do this, they need a Santa Claus on Mars. I’m a little fuzzy on how Santa will provide the creativity and individuality, but we’ll just run with it. Kimar decides that the best way to have a Santa is to kidnap Santa, so the Martians go to Earth to acquire him. Along the way we are introduced to the comic relief character Dropo (Bill McCutcheon) who is the standard, clumsy oaf. While on Earth, the Martians also kidnap Billy (Victor Stiles) and Betty (Donna Conforti) and take them back to Mars, along with Santa, where the two kidnappees help him run an automated toy factory so the Martian children can have toys.

Eventually things come to a head when Voldar tries to kidnap Santa.  Instead, he accidentally grabs Dropo, who is pretending to be Santa, and sabotages the toy factory in an effort to overthrow Kimar. I tried to wrap my brain around this, but was forced to stop after experiencing sharp pains and seeing dark spots before my eyes.

I can’t remember the last time I’ve seen acting this bad in a movie. These guys make porn stars look like Shakespearean actors. The dialogue is poorly delivered and character reactions are delayed at best. Frequently the characters are just standing around, speaking to each other without actually acting. The fight scenes are so badly choreographed that characters are swinging at each other from several feet away and then fall over while the camera shakes. The kids—especially the Martian kids—are extremely wooden, and Santa is completely clueless throughout most of the movie. At one point he can’t remember the names of his reindeer and throws “Nixon” into the list.

Even by B movies standards, the visuals are pretty rough. The Martians in particular are awful looking, dressed completely in green (green body suit with a green shirt and green briefs or boxers) with green grease paint on their faces that doesn’t match the color of their clothing. They’re also wearing some kind of green helmet out of which their antenna.  The antenna appear to be made from poorly shaped and painted tinfoil, which makes me wonder if the budget was so low that the creators couldn’t afford a bent coat hanger.

They must have spent the majority of the budget on making the worst looking robot and polar bear in movie history. The robot is essentially a guy in a large box with dryer ducts on his arms and legs, and a bucket on his head, all painted silver. This movie is already ten years after Gort from The Day the Earth Stood Still and Robby the Robot from Forbidden Planet, both of which were awesome looking robots. Even in a low budget film these creators should have been able to do more than they did.

Worst Robot Ever.

Worst Robot Ever.

As for the polar bear… you really just need to see it to believe it.

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I don’t have the time to make up things this awful.

All of the sets were pretty terrible. There was not a single scene that was actually shot outdoors. All of the outside scenes were obviously shot on sound stages. Even the one scene when the Martians first abduct Billy and Betty, which could have easily been shot at a local park, was instead done indoors. The various North Pole scenes look like some alien world from Star Trek, just painted white, dirt included. The cave set at the end of the movie consists of some foam rocks and what appears to be painted cardboard layered to give the appearance of depth.

The Martian spaceship is just as lackluster as the rest of the sets. Most importantly, the viewer never gets to see the outside of the ship, aside from the four legs and ladder seen at the North Pole, and those are pretty lame. The ship’s bridge is amusingly bad. In the corner is the Radar Box, which powers the Radar Shield; and it is labeled, in English, Radar Box. What is even better is that it is basically just a wooden toy box with some circuit boards attached to the lid and one very small bundle of wires running along the inside. This makes it quite easy for Billy to sabotage the Radar Shield.  All he has to do it pull out the single bundle of poorly attached wires. The budget appears to be so low that they couldn’t even afford a real double throw switch. When every bad Frankenstein movie set is practically littered with those switches, you would think they could find at least one for a reasonable price.

Are you telling me they couldn't find one of these for cheap?

Are you telling me they couldn’t find one of these for cheap?

While this is an absolutely terrible movie, there were a few, very minor points that weren’t quite so awful. While his acting is horrible, John Call at least looks the part of Santa. It would not have surprised me if they had instead chosen a skinny guy with no beard to play Santa, but they didn’t. There is also some pretty good stock footage of the US military, mostly focused on bombers and nuclear missiles. There is, in fact, close to five whole minutes of this footage when the Martians show up on Earth.

As I said before, I enjoyed this movie in spite of how bad it is. That being said, I cannot in good conscience recommend this movie to anyone as an example of good quality, low budget film making. I give it one Death Star.

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Filed under Andrew Hales, Movie Reviews, Movies